Mandy Palasik and Kemuel Benyehudah spent a large part of the pandemic working on a collaborative piece about issues of sustainable design and public space, and we’re proud and excited to present their dialog on the complex issues.
Read MoreThe new book, Hotel Chelsea: Living in the Last Bohemian Haven by Colin Miller and Ray Mock tells of current residents and their struggle with the Hotel’s developer-owners and explores the history of this artistic incubator-cum-living space.
Read MoreIn this time of social distancing, Artblog’s Mandy Palasik reflects on the importance of feminist art pioneer Natalia LL’s controversial work.
Read MoreMandy Palasik visits Kentuck Knob, the lesser known residential work by Frank Lloyd Wright, and explores the surrounding nature!
Read MoreOur contributor Mandy Palasik visits The Shed, the new performance and art space in New York’s Hudson Yards area and speaks with Elizabeth Diller, one of the lead architects in The Shed’s design group.
Read MoreMandy Palasik, architect, writer, artist and art lover, makes a journey to Chester County to the home studio of the late master of woodworking, Wharton Esherick, and finds the wood surfaces irresistible to the touch (which is encouraged!) in the house Wharton built. Mandy recently reviewed the Becky Suss paintings at Fleisher-Ollman, based on that artist’s experience of the home studio. Suss’s paintings are now on view at the Esherick Museum, a great pairing.
Read MoreBecky Suss’s new paintings on view at Fleisher/Ollman honor the legacy of mid-century craftsman Wharton Esherick, whose home studio is in Chester County. Suss chronicles the spaces Esherick designed and occupied as well as the furniture he is known for, translated through her own vision of the spaces, places and objects. Architect and Artblog contributor Mandy Palasik interprets the show and examines the resonance between these two artists and their bodies of work. “Becky Suss/Wharton Esherick” is open through January 26, so make your plans to visit now!
Read MoreMandy Palasik, Artblog’s resident architect, takes a trip up to Governors Island in New York Harbor to survey the site’s innovative fusion of public art and architectural preservation. In the process, she comes away with some great recommendations for our own fair city! In addition to the work described here, readers should also check out the 11th annual Governors Island Art Fair, which opens September 1 and runs every weekend through the end of the month.
Read MoreArtblog’s resident architect, Mandy Palasik, attends this year’s Louis I. Kahn Memorial Award + Talk, and reports back on awardee, Sir David Adjaye’s presentation of his own work at the event. She reflects on his innovative approach to translating inspiration into material form and on his commitment to delivering quality design regardless of budget.
Read MoreApril 18th marks International Day For Monuments and Sites. There is no better place to check out some of Philly’s most impressive and historic monuments than Laurel Hill Cemetery. Mandy Palasik recaps Laurel Hill’s recent “Changing Death: A Panel Discussion on Ritual and Acceptance,” reporting on the evolution of grave monument styles. As an added bonus, the event marked the opening of Caitlin McCormack’s intricate exhibit, Lazarus Taxa, on view until May 31, 2018.
Read MoreMandy Palasik visits Spanish-born architect and industrial designer Patricia Urquiola’s first solo exhibition stateside, at the Philadelphia Museum of Art through March 18th. “Patricia Urquiola: Between Craft and Industry” celebrates Urquiola’s innovative use of familiar forms and traditional techniques to activate both mind and body.
Read MoreArtblog’s new contributor, Mandy Palasik, writes a delightful essay about walking through the late architect Anne Tyng’s house and imagining how the architect lived in the space and how others would live there after her. It’s a very nice essay by Palasik, who is herself an architect. This article was submitted to the Artblog New Art Writing Challenge contest and we are publishing it here with special mention.
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Support for Artblog has been provided by The Philadelphia Cultural Fund.
