With so many exhibits all over the city first for printmaking and then ceramics, the question needs to be asked. How to recognize which well-crafted tree in the forest is the rare specimen worth the visit?
Several shows this month in NoLibs above Spring Garden step outside the norms of a medium, bringing new life to photos, prints and clay. At PPAC through May 15, .matrix includes work by artists interested in “pushing the limits of the printed image and how it is created, used and disseminated.” This isn’t your grandmother’s printmaking. Much of it purposefully challenges our perception of the single matrix, or surface onto which one unique print is impressed.
This post continues the tale of our NCECA (National Council on Education for the Ceramic Arts) shuttle bus tour on Mar. 31 of ceramics exhibits in the Fishtown/Northern Liberties parts of town. Little Berlin “Scene,” an international show organized by Jennifer Woodin at Little Berlin is spare and a little chilly. The grid of ceramic knots held up by wire by Henny Linn Kjellberg (of Sweden) reminded us of how many other grids we had seen that day — at Tyler, up on Amber St. and elsewhere. Grids are great, but we had trouble conversing with the ceramic knots in the ... More » »
We talk too much. So when we go out looking at art, we end up talking to everyone we see, which means we see less than we ought to. Imagine therefore how we jumped at the chance to take a bus ride and see lots of the NCECA clay shows on an enforced schedule. Otherwise we would never get around to them, given our propensity to stop and chat and the shows’ short duration. The Northern Liberties/Fishtown tour Wednesday was just the ticket. Our tour leader, Casey Porter, is part of the Claymobile posse. He was amazing–energetic, resourceful, and gracious. ... More » »
[This is part 2 of a 2 part article that first appeared in the March issue of Ceramics Monthly. Click on the Dirt on Delight tag at the bottom of the post to find part 1.] Not everything in the exhibit is explicitly about body and bodily functions. Numerous pieces revel in clay’s historic use as a decorative medium. Jeffry Mitchell, Pickle Jar, 2005, glazed ceramic, 15.5 x 13 x 13 inches, collection Ben and Aileen Krohn
This week’s Weekly has my review of Dirt on Delight at ICA. Below is my copy with some pictures. Robert Arneson Lustred Rose, 1966 glazed ceramic 29×60 1/2 x 28″ From earthly delights in clay to pithy word art and a cerebral video animation, ICA’s Spring shows are bon bons of creamy goodness, crunchy ideas and beautiful packaging. Kathy Butterly speaking about her sexy pots at ICA’s opening. The big downstairs show, Dirt on Delight, commands attention by sheer volume of gorgeousness on display. The survey of sculptural clay brings together 22 artists breaking ground in the traditional craft material. ... More » »