Our series sponsor is Fleisher Art Memorial. Daniel Traub’s photographs of overgrown lots in North Philadelphia where rowhouses once stood have a mournful feel. In Traub’s photos, on view at the Print Center until March 5, indomitable nature grows up tall where people once lived. But the works are not so much about the man-nature struggle in the built environment. They’re more about entropy and the way things are, the rub of time and place. Traub spent the last nine years in China where he observed the building boom of gated communities rising next to shanty towns. He talked with ... More » »
How do you make ordinary art into Black art? Surface Politics, [Salon Joose, October 8-November 20, 2010] asks that question by juxtaposing a series of works in the context of a black-owned gallery. Organizer Theodore Harris, who is well-known for his overt statements about war, religion, and politics, has invited artists of varied ages and media to participate. Harris collaborated with aesthetic philosopher Sharon Chestnut on this show; Chestnut and Harris will lead a dialogue on November 5th, 6-9 pm at the gallery, under the aegis of the Institute for Advanced Study in Black Aesthetics.
I had the opportunity to stop into some gallery openings in Chinatown this past First Friday, one of which was Space 1026, a nice open space that was displaying photographs by Sandy Kim and Logan White. Both artists use 35 millimeter film to capture images that are reminiscent of documentary style photography, attempting to capture subjects that are often inaccessible or private, photographs that are meant to be objective and honest. While their styles differ, both Kim and Logan show photos with a bit of grit and grunge. Their use of 35 millimeter film gives each of their photos a ... More » »
I spent a week in London in August, and each day attempted to focus on a substantial outing, an interesting exhibition. My first jaunt was to cross Kensington Gardens to The Serpentine Gallery where the German artist Wolfgang Tillmans put on something of a retrospective, an expansive display of his alchemical results with photography. The 2000 Turner Prize winner, born in 1968, today a bona fide blue chip in the art world, offers a cornucopia of stolen, manipulated and performative photographic works in his first full-on exhibition in London in seven years. Each piece conspires to reveal the over-reproduced world ... More » »
Harvey Finkle is a documentary still photographer who has focused on social, economic, political and cultural issues for decades. He mostly works in and around Philadelphia, but has also produced several bodies of work abroad. His affecting retrospective at Painted Bride, “Justice Behind the Lens: The Legacy of Harvey Finkle,” – on through August 13 – fills the main gallery and adjacent room with black and white photographs spanning the last 30 plus years.
Post by Emily Friedman Daydream Nation, PPAC’s 1st Annual Contemporary Photography Exhibition, opened several weeks ago in the Crane Arts Building. Philadelphia Photo Art Center received 170 entries for the juried show, from which they chose 34 photographs by 34 different artists and awarded three prizes. Jock Reynolds and Joshua Chuang, respectively Yale University Art Gallery’s Director and Assistant Curator of Photographs, judged the entries.
This week’s Weekly has my feature on Sarah Stolfa’s new DIY digital photo center, PPAC. Here’s the link. Below is the story. Sarah Stolfa’s large portrait photos of the regulars at McGlinchey’s bar created a stir in 2004 when the artist, then an undergrad at Drexel University, won the student photography contest run by the New York Times. Since then, Stolfa’s had solo shows in Philadelphia and New York and picked up her MFA from Yale. And “The Regulars” — as the series of McGlicheys photos is called – was just published as a 96-page paperback by Artisan Books.
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