Even the documentary photos included in Philadelphia Photo Arts Center‘s show True Fiction tell lies of a sort.
Hundreds of shows open in Philadelphia this fall, far too many to include in this short roundup. Six shows caught my fancy, but they’re just the tip of the iceberg. Nowhere at Arcadia (Sept. 23-Nov. 7. arcadia.edu)
Post by Emily Friedman Daydream Nation, PPAC’s 1st Annual Contemporary Photography Exhibition, opened several weeks ago in the Crane Arts Building. Philadelphia Photo Art Center received 170 entries for the juried show, from which they chose 34 photographs by 34 different artists and awarded three prizes. Jock Reynolds and Joshua Chuang, respectively Yale University Art Gallery’s Director and Assistant Curator of Photographs, judged the entries.
Several shows this month in NoLibs above Spring Garden step outside the norms of a medium, bringing new life to photos, prints and clay. At PPAC through May 15, .matrix includes work by artists interested in “pushing the limits of the printed image and how it is created, used and disseminated.” This isn’t your grandmother’s printmaking. Much of it purposefully challenges our perception of the single matrix, or surface onto which one unique print is impressed.
Philadelphia has just gained another place to view great photography. The new Philadelphia Photo Arts Center (PPAC) at the Crane Arts Center is showing juried works by 21 young artists in the exhibit Next: Emerging Philadelphia Photographers.
This week’s Weekly has my feature on Sarah Stolfa’s new DIY digital photo center, PPAC. Here’s the link. Below is the story. Sarah Stolfa’s large portrait photos of the regulars at McGlinchey’s bar created a stir in 2004 when the artist, then an undergrad at Drexel University, won the student photography contest run by the New York Times. Since then, Stolfa’s had solo shows in Philadelphia and New York and picked up her MFA from Yale. And “The Regulars” — as the series of McGlicheys photos is called – was just published as a 96-page paperback by Artisan Books.
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