My first outing to AUX, the newish performance space at Vox Populi Gallery, last week was an extraordinary mix of pain and transcendence. The event, Rhythms of Time Sharing (RoTS), showcased several communications-technology-based performances, including work from artists based here, in the nation and across the pond. The event, presented by the London-based collective KIOSK, was a curatorial exploration of the current state of new media in art. The high point–using text messages–was an interactive performance by Brooklyn-based artists Joao Enxuto and Erica Love, who collaborate under the name the original copy. In their performance Talk to Me, they play ...
[This post was scheduled to go up yesterday but couldn't because of our hosting outage. Hope you got to see the show-yesterday was its last day.] The four featured artists at Vox Populi this month present four discrete bodies of work in each of Vox’s four gallery spaces. If there is a commonality it’s that the artists all seem to be seekers, after some truth–psychological or cosmic. That, and they all have MFAs from high powered institutions (Yale, Columbia, VCU). Perhaps the most engaging, because of its accessible narrative edge and cartoonish style, is Guy Ben-Ari‘s mostly grizaille paintings. With ...
By Hayley Tomlinson Imagine waking up from a vivid black-and-white dream, in which you explored a recognizable yet distant city dense with foliage and structure, where the most intricate details were highlighted despite a sunless, cloudy sky, and you weren’t quite sure whether you were looking at a mural or real life. This is exactly how I felt when first viewing Becky Suss’ drawings, on display at Vox Populi. Her landscape drawings, void of any human activity, made me reminisce about being a child and exploring the depths of my grandma’s backyard, or weaving in and out of the strange ...
Adrienne Skye Roberts‘ reading of her family history, with visual aids, is a magical thing, occupying its own unique space between a performance and a talk. I heard her Swimming Lessons and the Red Scare at the Coral Street Arts House, with about 20 other people, a couple of whom figured in her story. You can hear her Friday, Sept. 23 at Vox Populi if you missed her Coral Street talk (details at the end; a talk for tomorrow night has been cancelled).
Not as wild as some of its predecessors, Vox VII, the annual emerging artist show at Vox Populi, is a whale of a good show. With 35 artists and all media except performance represented, paintings make a strong showing. No matter how many times people say painting is dead, it just is not, and here the variety of paintings demonstrates the media’s still got some tricks up its sleeve. Sculpture is literally all over the map, from a highly crafted fiber object to a sprawling found-object installation with a video embedded in it to a low-tech gizmo made of wood ...
At Vox Populi this month, member artist Linda Yun and guest artists Leticia Bajuyo and Joshua Hamilton explore the formation and fragmentation of memory. The two exhibitions are on view until March 27.
The show Yesterday Today is Tomorrow at Space 1026, if described in one word, is quaint. This is not necessarily an unfavorable assessment. The artists are certainly intentional in a way which is playful and aloof, and I find that quaint.
First Friday was hotter than Hell in the galleries, and we complained a lot. Every person who asked us how our summer was going got the same answer–shitty, hot. But beyond weather, we have to say the art was hotter than we expected for the usually dead month of August. Performance and installation art was what we saw at Vox Populi, Bodega, Grizzly Grizzly, Tigers Strikes Asteroid and Marginal Utility.
Vox Populi; We’re working on it, Andrew Suggs, ed. (Vox Populi Gallery, Philadelphia) ISBN 978-0-615-31338-2 The art scene in Philadelphia is marked by an expanding community of artists, artists’ collectives and artist-run organizations, galleries, publications and events. Word gets out, but proper documentation is important for an accurate picture and for the future. In a publication recording its 21-year history, Vox Populi Gallery has provided a record of its own history as well as that of the other artists’ organizations established in Philadelphia since the founding of Painted Bride in 1969.
Vox Populi’s sixth annual emerging-artist roundup is a musclebound, unruly show. With 33 artists (almost half from the Philadelphia region) and close to 70 works, jurors William Powhida and Jennifer Dalton chose a noisy exhibit, literally and figuratively. It’s great, don’t miss it.
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