I have nothing against concepts or theory, and even have been guilty of doing conceptual art. [I] believe that theory is critical to art, but believe that artists’ dependence on theory is terminal to art (shown, Lawrence Weiner’s “More or Less…Give or Take…).
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The problem is that theory today leads the artist to such an extent that the “work” dies.
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My efforts to contain my laughter escalated as the efforts to slowly exit the squeaky door. Was her intention to create in me a condition of sympathy or futility? Was this not a presentation, but a study?
I was saved by the case studies at the end that, I agree, were of some amusement.
–Philadelphia painter Frank Bramblett won a 2000 Pew Fellowship in the Arts