February 25, 2020 by Andrea Kirsh

A three-book starter pack to contemporary indigenous art, Part 1

Andrea Kirsh reviews three books about indigenous art. Part one of two reviews Philip J. Deloria’s “Becoming Mary Sully; Toward an American Indian abstract.”

February 24, 2020 by Levi Bentley

The metal ballet of ‘Ballast & Barricades’ at Philadelphia’s Institute of Contemporary Art

Levi Bentley visits the Institute of Contemporary Art in University City to review Michelle Lopez’s new exhibition, Ballast & Barricades, which closes on May 10, 2020.

February 21, 2020 by Natalie Sandstrom

Two worlds beautifully co-existing, Bermudez and Marcuse dual shows at List Gallery

Natalie Sandstrom visits the List Gallery at Swarthmore College and analyzes the two exhibitions on display: Henry Bermudez’s Tattooed Nature and Michelle Marcuse’s Holding Absence, which both close tomorrow, February 23, 2020.

February 15, 2020 by Ray Simon

An artful climax, Simcoe’s ‘getting off’ at the Bradbury-Sullivan LGBT Center

Artblog contributor, Ray Simon, pays a visit to the Bradbury-Sullivan LGBT Community Center in Allentown, PA to catch their latest exhibition: getting off, which closes on Friday, February 21st.

January 22, 2020 by Natalie Sandstrom

The artifice and the unnatural, CAMP Philly at Automat Gallery

Natalie Sandstrom reviews the latest exhibition at Automat Gallery, CAMP Philly. A group show of works by Kelly Dzioba, Zach Hill, and Natasha Le Sourd, it explores the wackiness and superficiality of camp within the arts. Catch the show before it comes down on February 1st.

January 8, 2020 by Artblog

The Human Scale of Recycling in India

In this “From the Vault” post, K-Fai reviews artist Enrico Fabian’s photo series about the relationship between poverty and waste recycling industry in India.

January 4, 2020 by Susan Isaacs

A review in two cities, Betye Saar at MoMA and Melvin Edwards at BMA

Artblog contributor Susan Isaacs reviews two exhibitions: “The Legends of Black Girl’s Window” at Museum of Modern Art in New York City, closing January 4, 2020, and “Crossroads” at Baltimore Museum of Art, closing January 12, 2020.

December 30, 2019 by Michael Lieberman

Every day is a full moon at the Franklin Institute, Luke Jerram’s “Museum of the Moon”

Michael Lieberman visits Luke Jerram’s “Museum of the Moon” at the Franklin Institute, on view until January 5th, 2020.