Michael previews the upcoming documentary, “The Price of Everything,” and calls it a voyeur’s delight for those interested in the art market’s high rollers and art stars. Hot shot artist Jeff Koons gets a lot of screen time, if you’re into him, balanced with some Jerry Saltz and Larry Poons, who speaks about artists losing their souls to the marketplace. The film screens at the Prince Theater starting Nov. 2 and will be on HBO Nov. 12.
Read MoreDeborah Krieger takes a trip to Rowan University Art Gallery to view Heather Ujiie’s current installation of large-scale digital prints and elaborate sculptural objects. Terra Incognita, with its intense color palette and diverse aesthetic influences, explores sexual identity in relation to a range of both natural and spiritual forces. Catch it before it closes on November 17, 2018.
Read MoreThe group exhibition, “Making a Difference: Social and Political Activism in Clay,” causes our reviewer to ponder the deeper meaning behind the words in the show’s title and to weigh in on how art can or cannot be an effective tool to spark societal change. This provocative exhibit is at The Clay Studio through Nov. 17, 2018, so run over and see it.
Read MoreAndrea calls the humanist sculptural works of Rachel Whiteread, powerful, poignant and accessible without gimmicks. She praises the sculpture, cast from domestic objects as big as a house and small as a hot water bottle, which evoke absent bodies.
Read MoreLogan Cryer walks us through Lane Speidel’s elaborate and deeply personal show, “Don’t Miss Me.” Get some nonlinear healing and some treasure-trash before it closes on October 20th.
Read MoreNew Artblog contributor, Sydd Cox takes in the retrospective of Ree Morton’s playful body of work, on view at the Institute of Contemporary Art through December 23, 2018. “The Plant That Heals May Also Poison” includes sculptures and installation works from Morton’s brief but fruitful career infusing post-minimalism with idiosyncratic material riffs on the maternal.
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