Subscribe Today!
“I did it because I could,” says Rocky 184, the one woman graffiti writer who gets a deep look in the movie. The self-proclaimed tomboy from Washington Heights is not alone in her unfocused motivation. “I was bored,” says Snake 1. It was not political, say a number of the others. The best, nuanced comment is from Cool Earl, who says “It was a sign of the times, a sign of our youth, our lack of funds and perhaps our lack of paternal guidance.”
Read MoreI had the wonderful experience of taking a dozen college classmates and their spouses through the exhibition recently. Only one person had any background in art history and none of them recognized the artist’s name. I explained that Irwin’s work takes time–literally, time for the eyes to adjust. They concentrated on the floating sphere bisected by a dark, horizontal line which disappears towards the circle’s margins–and the magic began. The painting creates a series of changing optical effects which it would be useless to try to explain, and because the effects depend upon presence and time, the artist refused to have his work photographed for many years–he has since relented. Anyone who knows Robert Irwin’s work only from reproductions has no idea of what the work is about.
Read MoreThe curated show of paintings, sculpture, video and works on paper from the 1950s to the present is notable for works with fierce pride in Latino identity and for works with unabashed political underpinnings. The show and its catalog shed light on contemporary artists who would stand out in any group.
Read MoreIn the end, the exhibition Common Touch: The Art of the Senses in the History of the Blind offers more than a glimpse into the history of the blind from the depths of today’s archives. In contrast to persistent misconceptions about blindness–as if Pieter Bruegel’s sinister and mocking “The Blind Leading the Blind” (1568) still shapes our thinking today–Teresa Jaynes shifts our biased perception from a predominantly visual culture into a synesthetic experience. Speaking through the language of the fingers, she creates a tangible world that addresses issues of humanity and society that are anything but marginal. Liberate your vision and explore the nature of perception through the senses of touch, sound, and scent.
Read MoreThe film, about a talented, articulate and ambitious artist, raises an important question. Why is an artist overlooked? A movie can’t answer definitively, but in 84 fast-paced and colorful minutes Art Bastard delivers a hint of why a rebellious yet loveable personality and his rollicking, politically-charged and mostly humorous paintings are under the New York art world radar. In the words of the movie’s smartest commentator, the oracular Richard Armstrong, Director of the Guggenheim Museum and Foundation, “It’s about chance and geography.”
Read MoreKip’s and Fischer’s respective works underscore a sense discomfort in the act of looking or a reliance on subjective frameworks in the process of recollection. I find their work particularly relevant as they address the relationship between routine and confusion, and between observation and obscured memory, within the context of architecture. From their structures, I gather that to think about edifice is not to reflect on deliberate forms of shelter and safety, but, more so, to consider how the built environment metaphorically serves as a foundation for the lived experience.
Read MoreSome of the most compelling sequences in Wright’s documentary consist of the artist’s reflections on perception, perspective, and space. After a painful breakup with his longtime partner, Peter Schlesinger, Hockney made a series of etchings based on Wallace Steven’s poem, “The Man With the Blue Guitar,” which was in turn based on Pablo Picasso’s famous 1903-04 Blue-period painting, “The Old Guitarist.” Hockney was drawn to the poet’s insistence on “things exactly as they are,” using his etchings to play with realistic and illusionistic depictions of space, all within the emotional frame of the artist’s life and relationships with others.
Read More
