In this first of a planned series of interviews with Philadelphia gallerists, Elizabeth Johnson talks with Pentimenti director, Christine Pfister, whose passion for art and artists fuels her 30-year old gallery in Old City.
Read MoreOn a trip to the to see “Sean Scully: The Shape of Ideas,” Logan Cryer is disappointed by the lack of context provided about the artist, whose “work has a bit of a reputation as not being as well-liked as some major art institutions would advertise,” Logan says. Wanting to better understand the abstract artist’s popularity, Logan felt alienated when they found no clear or compelling defense of the work, neither in the wall text, nor through the (lack of) display of documents from the artist himself. What does unimaginative curation mean for the legacy of the artist? Read the review to find out what Logan thinks!
Read MoreAlex Smith reviews Logan Cryer’s latest curation ‘Dark Sousveillance,’ inspired by Simone Browne’s research on Blackness and surveillance. The group show features Black and predominantly queer artists, examining “wanting to be seen by each other, and wanting to hide from the violence of hypervisibility.” The exhibition is on view at Vox Populi, by appointment, thru Jan. 16, 2022.
Read MoreArtblog contributor Susan Isaacs interviews Egyptian-Honduran American artist Jackie Milad about balancing life, work, and art; her artistic process; and identity-based art. Jackie’s work can be viewed at multiple current and upcoming exhibitions!
Read MoreMore opportunities, events, and great news for the last couple of weeks of March, 2021!
Read MoreCo-curators J. Susan Isaacs and Erin Lehman write an essay about their exhibition “All Night Party,” which places contemporary works in conversation with 20th century party dresses, drawing similarities between America’s political climate then and now.
Read Moref you’re a spoiler-lover, indulge in this sneak peak– here’s a list of Artblog ‘Posts in the Pipeline’ this Covid winter.
Read MoreIlana Napoli speaks with Daniel Tucker and Emily Bunker and pens a thoughtful feature about their public art installation “Yes in My Front Yard,” which features digital works by nine local artists printed and displayed on lawn signs in West Philadelphia.
Read MoreKemuel Benyehudah weighs in about the importance of the work and activism of Black curators in collecting institutions and the necessary decolonization work being done by local Black curators.
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