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New Space, New Work marks a new direction for Gallery Joe, but as always, Becky’s enthusiasm and respect for her artists remains the foundation of the program.
Read MoreThe Black Show makes me think about José Saramago’s epic novel “Blindness” (1997), in which blindness invokes darkness, oscillating between sociopolitical misconception and human malice. “I don’t think we did go blind,” reflects one of Saramago’s figures at the end.
Read MoreDon’t miss The Review Show LIVE, this Thursday, March 10, 6PM – 7:30 PM at the Galleries at Moore. Join Artblog, The St. Claire and Moore Galleries for LIVE Art Reviews of 3 exhibitions – Rodney McMillian at ICA, Pepon Osorio’s reForm at Temple Contemporary and Ian Etter and Usha Farey at Practice. Panelists are Walter Robinson, Martin Peeves, Kelsey Halliday Johnson with Suzanne Seesman, moderator
Read MoreCongratulations, Taller Puertorriqueno on your 20th Annual Arturo A. Schomburg Symposium! A standing room only crowd turned out for talk about Afrolatinidad identity and issues related to indigeneity, racial identity and immigration/deportation. More forthcoming in a report.
Read MoreAlthough the theme is hardly predominant, Johnson’s work clearly touches upon the political history of African-Americans in this country. The work includes poignant scenes of death and despair in the African-American community, and suggestions of the oppression that the community has been subjected to.
Read MoreCome participate in this LIVE event, as our distinguished panel of experts discuss and review three Philadelphia art exhibitions – from the Institute of Contemporary Art, Temple Contemporary and Practice Gallery (see below for more and links to those venues). This event is scheduled in conjunction with Walter Robinson: Paintings and Other Indulgences, featuring the work of the New York based artist and critic and on view at The Galleries at Moore through March 12, 2016.
Read MoreThe return of Gallery Joe! This just in from our favorite gallery for drawings: Gallery Joe is now open by appointment at our new location, 2 Saint James Court near Washington Square.
We applaud the return of this hard-working and excellent gallery!
Read MoreKrimes seems to humanize art theory by putting it through a process of deep reading, personal reflection, and even letting the words suggest alternative readings. His current body of work, on view at the Leonard Pearlstein Gallery at Drexel University, is the result of this approach, his intuitive pathfinding, and chance.
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