We talked with people and we listened. (Artblog 2003-2025)
Sometimes we recorded the conversations for Artblog Radio. Sometimes interviews worked better as written stories. In all events, we loved talking with artists, arts administrators, gallerists, museum workers. We loved to learn and to share with you the joy in our discoveries.
In this podcast interview, Matt Kalasky talks with Amanda Buck and Alexa Smith, two of the editors of Apiary Magazine, a beautiful Philadelphia literary publication in print and online, started in 2009 and publishing a wide variety of community voices, in a variety of genres including poetry, fiction and non-fiction. Apiary also includes visual art.
Read MoreIn this From the Vault post from 2011, Libby and Roberta talk with Amze Emmons about his work creating pastel-hued dystopias that are magnetic and enigmatic. Emmons’s works are featured at the Gershman Y right now in a pairing with (also wonderful) work by Lynne Clibanoff. The show is up to August 27, 2017. Be sure to get over and see it.
Read MoreIn this From the Vault post, listen to our 2016 audio podcast with Pap Souleye Fall, a 2017 UArts graduate, whose work is featured at the Galleries at Moore in the 5 into 1 exhibit, up til June 24, 2017. Pap’s performance- and sewing-based works are spiritual and community focused and great.
Read MoreEvan interviews Jeffrey Stockbridge about his moving and emotional Kensington Blues project, on view at Savery Gallery until June 2nd and available in book form as well.
Read MoreRon Klein is an artist, a sculptor who thinks big, travels the world to research and find materials, and whose works evoke the cosmos and thoughts about the place of humans in a bigger context. Ron’s got an installation at Abington Art Center now through June 23. Don’t miss it.
Read MoreRoberta chats with Paul Chan about his installation, “Pillowsophia,” at PAFA’s Morris Gallery. The haunting piece is a hollow hooded figure made of black nylon placed high against a wall. In continuous motion from wind blown into its cavity by a powerful and noisy industrial fan, the piece is engineered and stitched in such a way that it dances what seems like an ecstatic death dance. A response to the times, which are filled with violence against black men, the piece is powerful and emotionally moving.
Read MoreIn honor of Barkley Hendricks, who died on Tuesday, April 18, 2017, we are running this interview we did with the artist in 2009, when Hendricks was having a solo museum exhibition at that time at his alma mater, Pennsylvania Academy of the Fine Arts. In the interview, he talks about painting, photography and jazz.
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