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Francis Kéré is a Burkina Faso-born, Berlin-based architect known for his adaptive use of vernacular materials in structures like schools and other gathering places, especially in his native land. The Artblog video shows Kéré’s passion for community participation in his projects.
Read MoreEarlier this year, I was invited to curate a week of content on Curate This, the peppy new online arts publication whose mission — like Artblog’s mission — is to tell the whole wide world that the Philadelphia art scene has great art and artists. Curate This, started by writers/artists Amanda Wagner and Julius Ferraro, is now almost one year old, and I sat down with them recently to talk about how their publication is coming along and what they’re excited about. Curate This is a platform for artists and writers to speak their minds about issues involved in the arts (yes, there is some complaining).
Read MoreRoberta interviews Pap Souleye Fall about his unique body suits, stitched up while he is wearing them. Pap is also a wonderful maker of sculptural installations, and he’s a dancer. Give a listen!
Read MoreEd Bronstein’s brushy, expressionistic paintings capture scenes — au plein air — that include buildings, parks, dogs (lots of dogs), trucks (lots of trucks) people and more. Ed was instrumental in founding Art in the Open, and if you visited that festival recently you may have seen him out there with his paints and easel chronicling the beauty that inspires him.
Read MoreArtblog contributor and editor, Flora Ward, talks with me about her recent reviews of two exhibitions that intrigued her greatly. We also talk about her journey to Philadelphia from South Carolina, Toronto and elsewhere. Listen to the 18-minute conversation we had at the lovely Radio booth at the Galleries at Moore.
Read MoreJennifer Zarro talks with photographer Shawn Theodore, alias _xST, about his work–including why he shoots in large-format and how people react to his photos.
Read MoreKrimes seems to humanize art theory by putting it through a process of deep reading, personal reflection, and even letting the words suggest alternative readings. His current body of work, on view at the Leonard Pearlstein Gallery at Drexel University, is the result of this approach, his intuitive pathfinding, and chance.
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