Carl(os) chats with Machine Dazzle, costume designer for Taylor Mac’s upcoming performance of “A 24-Decade History of Popular Music,” at the Kimmel Center June 2nd and 9th. They talk hoarding, trash aesthetics, designing on instinct and much more.
Read MoreImani talks to Trenton Doyle Hancock about “Moundverse Infants” his new installation of collected and commissioned “dolls” at Temple Contemporary through July 27th. Inspired in part by the Clark Doll Test, as well as by Hancock’s desire to take play seriously, the exhibition includes both new work created in collaboration with Tim Rusterholz of Tyler School of Art’s sculpture lab, and highlights from The Philadelphia Doll Museum’s collection of 20th century black dolls.
Read MoreThe Women’s Mobile Museum is a year-long project by the Philadelphia Photo Arts Center which brings renowned South African Photographer, Zanele Muholi to Philadelphia to engage with a group of ten local women who are interested in media arts and museum studies but have not had significant access to formal training in these areas. Imani sat down with Muholi and two of the program’s apprentices, Shasta Bady and “Muffy” Ashley Torres, to discuss their hopes for the project and their journey thus far.
Read MoreArtblog’s own Maddie Hewitt speaks with Yixuan Pan about her new performance piece, “Conductible,” which showed earlier this month at the FringeArts May Scratch Night. “Conductible” combines many of Pan’s long-standing interests, including translation, sculpture, movement-based research and audience participation.
Read MoreArtblog’s Leah Gallant speaks with artist Shona McAndrew about censorship, the male gaze and discovering paper mache. “Moira,” McAndrew’s current show of sculptures and digital collages at Pilot Projects, is on view (by appointment) through Friday April 20th.
Read MoreFor years, multidisciplinary performer Martha Stuckey has commanded stages in a brightly-colored wig and stilettos as the lead singer of Red 40 and the Last Groovement, Philadelphia’s premier clown-funk-cabaret band. Now she is preparing to strike a more personal note in her upcoming commissioned show, Due to Sensitive Nature, on view April 12th-14th at the Kimmel Center’s SEI Innovation Studio. She speaks with Imani Roach about taking risks, growing up singing in Lutheran church, and what it means to be a woman in charge. How did kettle corn and Sister Act 2: Back in the Habit help to shape her performance trajectory? Listen to find out. Imani interviewed Martha at Moore College of Art and Design’s TGMR radio station on April 3rd, 2018; the podcast is 51 minutes long.
Read MoreAs a Chinese-born artist making a life for herself in Philadelphia, Yixuan Pan thinks a lot about translation and the limitations of language. In fact, since earning her MFA from the glass department at Tyler School of Art last year, she has built a rich and varied practice around the insights gained from living with confusion. Here she speaks with Matt Kalasky, ahead of her February 28th collaborative performance at Vox Populi Gallery, about starting with wonder and chasing art across media. Can a conversation where no questions are allowed qualify as studio time? Listen to find out. Matt interviewed Pan at Moore College of Art and Design’s TGMR radio station on February 13th, 2018; the podcast is 21 minutes long.
Read MoreMatthew interviews Serbian performance artist, Tanja Ostojic, whose recent project was a research and art mission to meet and work with all the women she could find who bore the same name. She met and worked with 33 Tanjas with her same last name. The Tanjas project raises issues about naming, identity, gender, war and migration.
Read MoreMatthew Rose hears about about the Noble Art of Collecting and calls up the author, Mari Shaw, to find out more about what propels collectors to amass art purchases into an array that they live with and sometimes give to museums.
Read MoreThe Fabric Workshop and Museum, founded in 1977 by arts visionary Marion “Kippy” Boulton Stroud, is celebrating its 40th birthday with a major retrospective exhibit. Process and Practice: 40 Years of Experimentation hilights archived ephemera from the institution’s famed artist-in-residence program that has been preserved for decades in “artist boxes.” Artblog’s Imani Roach spoke with Susan Lubowsky Talbott, the Museum’s Executive Director, about exhibiting “failures,” engaging the public, and her legacy. What was the most surprising thing she discovered in those artist boxes? Listen to find out. Imani interviewed Susan at the Fabric Workshop and Museum on January 9th, 2018; the podcast is 30 minutes long.
Read MoreYou’ve probably seen Kelli Morgan around town, presenting her research, working with students, moderating conversations with artists, and generally staying busy as PAFA’s first Winston & Carolyn Lowe Curatorial Fellow for Diversity in the Fine Arts. Now she’s heading off on a new adventure as Associate Curator of American Art at the Indianapolis Museum of Art at Newfields. Artblog’s Imani Roach spoke with the Detroit native on the eve of her departure about her unconventional path to museum work and her fresh vision for curating the American canon. Listen to hear her advice for aspiring young curators and much more. Imani interviewed Kelli at Moore College of Art and Design’s TGMR radio station on January 3rd, 2018; the podcast is 39 minutes long.
Read MoreWit Lopez is a fiber artist, performer and independent curator whose work encourages audiences to touch, manipulate and even wear it. Artblog’s Imani Roach spoke with this former theater kid about accessibility, performing for the camera and confronting their body as a spectacle. Can marginalized artists use humor to subvert their relationship to art institutions? Listen to find out. Imani interviewed Wit at Moore College of Art and Design’s TGMR radio station on December 12th, 2017; the podcast is 34 minutes long.
Read MoreImani chats with poet, dancer and playwright, Marc Bamuthi Joseph, about his libretto for “We Shall Not Be Moved” — an Opera Philadelphia O17 festival world premier with music by Daniel Bernard Roumain and direction by Bill T. Jones. Brutal and poetic in equal measure, the story unfolds as a band of North Philly teens flee the violence and school closings of their neighborhood to take refuge at the abandoned Osage Avenue site of the 1985 MOVE bombing. Throughout the opera, dancing ghosts and a dense web of black cultural references, old and new, demonstrate the past is always with us.
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