Playwright, performer, theater and dance critic, and co-founder of Curate This, Julius Ferraro is a multi-tasker par excellence. Julius has a new play, “Parrot Talk” that will be performed at DaVinci Art Alliance at the end of March. The show will take place over two weekends, a month apart, where the second staging may (or may not) look and feel very different than the first. The interview with Julius took place Feb. 17 and it’s 31-minutes long.
Read MoreQuietly building steam over the last four years, the community project, Philadelphia Assembled, will burst into the world this April, with actions, workshops, performances and art, in places all across the city, and will manifest itself in a big installation at the Philadelphia Museum of Art’s Perelman Building this fall. Starting with a series of conversations with regular Philadelphians, the Dutch artist, Jeanne van Heeswijk, made connections and reached out to more and more people, in what sounds like a revolutionary movement to empower people and make their lives better.
Read MoreIn 1948, The New Yorker published a story about idyllic small town America where everyone knows everyone’s name. Each year those names are placed into a box and townspeople gather as one name is retrieved and the owner of that name is then publicly stoned to death. The story is The Lottery, and it remains Shirley Jackson’s masterpiece.
Read MoreIn Jonathan Lyndon Chase’s paintings, faces go from cartoony (masks, he says) to realistic. The subject is the body, the black male body, the black queer body. Jonathan, who got his MFA from PAFA in 2016, is soft-spoken but intense. Easy to talk with and direct in his answers, no BS. Four of his works are in the current Fleisher-Ollman exhibit, up to Jan. 28. Among other things in this conversation, Jonathan talks about his materials. His works are filled with materials-brio.
Read MoreSherman Fleming is a performance artist, who began performing in the 1970s after being introduced to “Happenings.” In graduate school he created a character, “RODFORCE,” that he performed as. He tells A.M. Weaver about the difficulty of finding performance role models since there were few black male performers. His art is public, and about issues of race and masculinity and is intentionally provocative.
Read MoreLanré, who is Yoruba, works with recycled materials and his art communicates a message about our fragile globe being overwhelmed by waste. His sculptures are labor intensive, and here in Philadelphia he worked with North Philadelphia community members in “sewing circles” to fabricate the individual components (he refers to them as “bricks” to build a skyscraper) that will go into his big new sculpture, which debuts on Friday. The piece is a memorial to loss, which is experienced in a personal way by all.
Read MoreAfter a nine-month residency at the SPACES program at the Village of Arts and Humanities, two international artists, Kwasi Ohene-Ayeh, who is from Ghana, and Olanrewaju (Lanré) Tejuoso, who is from Nigeria, are preparing for their projects’ culminating exhibition and Open Mic session, this Friday, Dec. 9, 6PM – 10 PM.
Read MoreMichelle Marcuse flirted with sculpture-making for a long while, but only when she started channeling her memories of childhood in suburban Capetown, South Africa, did she find her 3D voice. Marcuse, who along with her partner, Henry Bermudez, runs House Gallery also found her materials — recycled cardboard, glue — and aesthetic that is primal and playful, combining both pieces of her childhood experience.
Read MoreThe art activist group We Are Watching was organized by Amanda Silberling and her friends at the University of Pennsylvania, where they are undergraduates. Propelled to action by an email sent by a fraternity to incoming Penn freshmen girls to come to a party and be ready to, basically, put out, Silberling and her colleagues blanketed the campus with flyers outing the fraternity for its crass invitation, with its implied embrace of rape culture.
Read MoreAt 91, Lorrie Goulet’s dedication to the carver’s art is unwavering, even though she cannot wield the carver’s tools like she could as a young woman. Throughout a recent wide-ranging conversation I had with her at her home and studio in Chelsea, I was struck by Goulet’s deep commitment to the physical work of carving, its tools, techniques, and materials. Her eyes light up and her gestures become animated when talking about stone, its myriad types, colors, and textures. For Goulet, stone–her primary material–is alive, and each stone has its own personality. “I put my life with the stone’s life,” she told me, following up with “I don’t have many stones left.”
Read MoreArtist, Pew Fellow, and 2016 Guggenheim Grantee Eileen Neff makes photographs and prints them large, small, framed or unframed, and, recently, shaped–like her photo of a leaf is shaped like a leaf, which appeared in her 2015 solo show at Bridgette Mayer Gallery, which represents her.
Read MoreBefore arriving at PAFA, Jodi Throckmorton was Curator of Modern and Contemporary Art at Wichita State University. Prior to that, she lived in the new media mecca of Silicon Valley, where she was Associate Curator at the San Jose Museum of Art for eight years. Now at PAFA, Throckmorton is bringing her considerable energy and wide-ranging interest in contemporary art to integrating edgy contemporary art with PAFA’s traditional strong suits of figuration and realism.
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Irish artist Elaine Byrne makes work that uses Dante, James Joyce and other heady source material for her works with political and social commentary on contemporary issues. In one case she is calling out an Irish bank scandal, using Dante’s Purgatorio and a pilgrimage location in Ireland called St. Patrick’s Purgatory; in another she’s raising issues about anti-Semitism in the context of Joyce’s Cyclops section of Ulysses. The videos are captivating, and give so very much to chew over. Elaine’s Irish accent is part of the treat of this 38-minutes long podcast.
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