You’ve probably seen Kelli Morgan around town, presenting her research, working with students, moderating conversations with artists, and generally staying busy as PAFA’s first Winston & Carolyn Lowe Curatorial Fellow for Diversity in the Fine Arts. Now she’s heading off on a new adventure as Associate Curator of American Art at the Indianapolis Museum of Art at Newfields. Artblog’s Imani Roach spoke with the Detroit native on the eve of her departure about her unconventional path to museum work and her fresh vision for curating the American canon. Listen to hear her advice for aspiring young curators and much more. Imani interviewed Kelli at Moore College of Art and Design’s TGMR radio station on January 3rd, 2018; the podcast is 39 minutes long.
Read MoreWit Lopez is a fiber artist, performer and independent curator whose work encourages audiences to touch, manipulate and even wear it. Artblog’s Imani Roach spoke with this former theater kid about accessibility, performing for the camera and confronting their body as a spectacle. Can marginalized artists use humor to subvert their relationship to art institutions? Listen to find out. Imani interviewed Wit at Moore College of Art and Design’s TGMR radio station on December 12th, 2017; the podcast is 34 minutes long.
Read MoreImani chats with poet, dancer and playwright, Marc Bamuthi Joseph, about his libretto for “We Shall Not Be Moved” — an Opera Philadelphia O17 festival world premier with music by Daniel Bernard Roumain and direction by Bill T. Jones. Brutal and poetic in equal measure, the story unfolds as a band of North Philly teens flee the violence and school closings of their neighborhood to take refuge at the abandoned Osage Avenue site of the 1985 MOVE bombing. Throughout the opera, dancing ghosts and a dense web of black cultural references, old and new, demonstrate the past is always with us.
Read MoreArtblog’s Matthew Rose features the artist Louise Millmann whose work is akin to that of Cindy Sherman and Dorothea Lange. Millmann discuses her fluid process of selecting costumes, and staging her photoshoots, which are “often based on a guest’s visit, an odd acquisition, or a fortuitous happenstance ” she says.
Read MoreArtblog’s Imani Roach spoke with artist Lane Speidel about their experiences as an early childhood educator and curator of Make A Space For Me, a performance series for trans, non-binary, and gender non-conforming artists, makers, thinkers and audiences. In their own artistic practice, Lane uses performance to re-establishing control over their body in the face of personal trauma and the daily demands of life under capitalism. Across all platforms of their work, safety is a paramount concern— proper grammar, less so. Find out why! Imani interviewed Lane at Moore College of Art and Design’s TGMR radio station on Sept. 21st, 2017; the podcast is 50 minutes long.
Read MoreArtblog’s Imani Roach and Roberta Fallon talked with Taji Ra’oof Nahl about his complex art practice that includes collaboration at its core. Nahl ran his own gallery in Old City from the late 1980s to 2010, where he showed, among others, Terry Adkins’ work. Taji was a friend of Adkins, and their practices both involve music, found objects, and researching under-known African American historical figures. In the interview Nahl tells Imani and Roberta about discovering the Colonial-era polymath, Benjamin Banneker, who became the subject of his installation in ‘Unlisted,’ the big multi-curator, multi-artist show at Icebox Project Space in 2016. We interviewed Taji Nahl at Moore College of Art and Design’s TGMR radio station on Sept. 14, 2017, and the podcast is 37 minutes long.
Read MoreIn this edition of Postcard from Paris, Matthew takes us to one of his recent travel destinations in Pilsen, Chicago. He met with print-partners Liz and Gabe to discuss the ins and outs of the printshop they opened in 2012 to edition print-based work with emphasis on the collaborations between artists and professional printmakers.
Read MoreRoberta’s two-part interview with artist and independent curator, Marianne Bernstein, who’s moving to Chicago with her family this Fall, covers issues of curating public space as well as creating a mix of established and emerging artists in the same project and exhibit. It’s a long read but touches on important points about independent curating by an artist.
Read MoreCarl(os) Roa is bringing Andean Mountains, his Fringe Festival solo performance, to Taller Puertorriqueño Sept. 7-15, 2017. Roa tells Roberta and Imani that Andean Mountains is about a generational displacement between Latin youth who love anime and manga and their elders’ who love telenovelas. How can the children of immigrants reconcile the various streams of culture coming at them? By repurposing familial culture and making it your own, says Roa. Andean Mountains will have digital elements, movement, and storytelling, in English and Spanish. Get your tickets now, this is going to be great!
Read MoreEarlier this year, Karen Chernick wrote about the missing Royal Theater mural, a history mural on South Street commemorating the legacy of the Royal Theater, a once-thriving black theater where Billie Holiday, among many others, gave concerts. The mural, painted by Eric Okdeh depicted jazz greats who played at the Royal, and neighborhood greats, like Ron Washington, of Ron’s Ribs, a restaurant landmark at 1627 South St., across from the theater. In this podcast, Roberta and Imani Roach (Artblog Managing Editor) speak with Brandon Washington, son of Ron. Brandon talks about the neighborhood, his father’s important role as a community leader and of his own and his brother’s hope to revive Ron’s Ribs in the future in a Ron’s Ribs food truck.
Read MoreIn this podcast interview, Matt Kalasky talks with Amanda Buck and Alexa Smith, two of the editors of Apiary Magazine, a beautiful Philadelphia literary publication in print and online, started in 2009 and publishing a wide variety of community voices, in a variety of genres including poetry, fiction and non-fiction. Apiary also includes visual art.
Read MoreIn this From the Vault post from 2011, Libby and Roberta talk with Amze Emmons about his work creating pastel-hued dystopias that are magnetic and enigmatic. Emmons’s works are featured at the Gershman Y right now in a pairing with (also wonderful) work by Lynne Clibanoff. The show is up to August 27, 2017. Be sure to get over and see it.
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Support for Artblog has been provided by The Philadelphia Cultural Fund.
