Ruth Wolf sees the exhibition ‘Japandi Revisited’ at Wayne Art Center and talks about the works, which convey quietude and invite contemplation at a time when we all need some of that.
Read MoreJackie and Betsey Carroll give us an inside look at Quilt Circle’s third annual quilt show which celebrates the timeless art of communal quilting.
Read MoreBlaise Tobia sees two exhibitions of note, one of which has connections to Philadelphia, at the Asheville Museum of Art, and comments that he saw the influence of nearby Penland School of Craft on the art scene’s many craft exhibitions.
Read MoreRegional women artists of all ages ply various media, from plaster and paint to fibers and installation, in a show that is a demonstration of women and non-binary artists’ power to create. Our reviewer Susan Isaacs says: ‘Given the particularly fraught moment we are facing now regarding… voting rights and control of women’s bodies and those with a uterus, “Fields and Formations” is an especially important statement about the creativity and commitment of women and non-binary artists. “ We encourage you to see this exhibit, up now to January 7, 2022.
Read MoreDear readers, as we publish the cash prize and honorable mention winners in the 2019 Art Writing Challenge, we’d like to thank everyone who took the time to share their writing with us and congratulate all the winners!
Read MoreCraftNOW marks its fifth anniversary with Craft Capital exhibition series, symposium, hands-on activities, tours, and much more.
Read MoreMandy Palasik, architect, writer, artist and art lover, makes a journey to Chester County to the home studio of the late master of woodworking, Wharton Esherick, and finds the wood surfaces irresistible to the touch (which is encouraged!) in the house Wharton built. Mandy recently reviewed the Becky Suss paintings at Fleisher-Ollman, based on that artist’s experience of the home studio. Suss’s paintings are now on view at the Esherick Museum, a great pairing.
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