In this long-form interview, Susan Isaacs talks with Alexis Granwell about her studio practice, going in-depth into the use of paper, pigment and armatures in Granwell’s current sculptures on view in the Wind Challenge exhibit at Fleisher Art Memorial (to July 31, 2024).
Read MoreHeather Ujiies use of fibers, textiles, fashion, and visual art strikes a dreamlike chord evoking shared visual histories and global mythologies. Lost in Paradise displays massive printed textiles alongside sculptures and paintings that transport the viewer to the world Ujiie sees. See the show at James Oliver Gallery before it closes August 12th.
Read MoreLogan Cryer talks with artist and Tyler School of Art and Architecture professor Jesse Harrod, about the Canadian artist’s journey as an artist, from Nova Scotia, to Chicago, to Virginia and Philadelphia.
Read MoreUsing hand-bent neon sculptures, artist Alissa Eberle installs a warm, candy-colored electric cavern into a small gallery space at HOT•BED. Our contributor Corey Qureshi’s review plays with the ideas of an intimate space treated with what are typically public and extroverted sign materials, and says the installation will put you in two different moods that feel loose and enjoyable. The show is up til Feb. 19, 2022.
Read MoreAlissa Roach and Hannah Pang, co-presidents of the Artists of Color Collective at Temple University, join host Logan Cryer in this 23-minute podcast interview to talk about their recent “Digital Entanglements” exhibition at Tiger Strikes Asteroid, and their upcoming zine (AoCC’s second ever publication). You can support the Artists of Color Collective via Instagram DMs (@Artists_of_Color).
Read MoreCorey Qureshi visits ‘Molly Metz: Close Closer’ at Fleisher/Ollman gallery, where multi-layered paintings flow into amorphous and cavernous sculptures. Check it out before it closes on August 13, 2021!
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