Michael is moved by the exhibit of works at the AAMP. The works touch on social injustice issues — the aftermath of slavery, police shootings of Black victims, Afro-Futurist utopias created to escape and take revenge. The imagery is stirring if also grisly in some cases, he says.
Read MoreIn this sponsored post, Michael takes a tour of the Philadelphia International Airport’s extensive contemporary art exhibitions and shares a few highlights from the nationally-unique program. With the help of Airport curator, Leah Douglas, Artblog brings you as close to these beauties as you can get without a plane ticket.
Read MoreMoving between Dawoud Bey’s Harlem, USA, and Shawn Theodore’s The Church of Broken Pieces, both currently on view at the African American Museum of Philadelphia, is like shifting between worlds. Bey’s photos depict the streets and people of Harlem in the 1970s, a place that to us in 2017 seems like a lost world, his use of traditional documentary black-and-white photography enhancing that sense of distance. Theodore’s larger-than-life, staged street portraits are less documentary than metaphysical or theatrical, evoking a mysterious future through the drama of the set-piece in the street.
Read MoreJennifer Zarro talks with photographer Shawn Theodore, alias _xST, about his work–including why he shoots in large-format and how people react to his photos.
Read More
