Syd Carpenter’s Farm Bowls are mini-portraits of the farms and people she met on trips through the South. Named after these family farms, the Farm Bowls are “remarkable variations on the same, simple form” says reviewer Andrea Kirsh, who also comments about the “Mother Pins” that “they have stunning ranges of textures, coloring, and forms.” The exhibit is at Rowan University Art Gallery until March 26, 2022.
Read MoreArtblog contributor reek bell rounds up four films for the month of August. This month’s theme is community, in all of its complexity. As reek says below, “Community can break your heart, community can feed you, clothe you, house you, love you, and leave you.”
Read MoreIn their thoughtful essay, Artblog contributor Sarah Kim reflects on their experience co-organizing and attending FORTUNE magazine’s recent celebration, “Lunar New Year Celebration: Year of the Rat,” which showcased a variety of queer femme Asian-Americans, representing a spectrum of musical and performance styles. The experience caused some deep thinking about identity and racism in America. It’s a very good essay.
Read MoreFletcher Williams III’s work demands that we confront uncomfortable facts about both our present and our past, reflected in these lost lives and blighted neighborhoods. The façades depicted in Beyond the Rainbow hint at the individuals who lived there and the community that struggles to survive against the twin challenges of poverty and racism. Jonathan Green’s site-specific Porgy Houses likewise ask us to reflect on black history in Charleston and the whitewashed present.
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