[Chip explores and compares the wide range of abstract work being created by four artists, and comments on their treatment of space and human forms. -- the artblog editors] Fleisher/Ollman‘s current show, Reprefantasion, which straddles yesteryear (2013) and the first month of 2014, also seeks to bridge the gaps between differing schools of abstraction. Four artists are represented in this group exhibition: Kate Abercrombie and Becky Suss, who distort the actual, and Kinke Kooi and Sarah Gamble, who decisively skip straight to the unreal. The show is on view through February 1. Proclivity for pink: Kinke Kooi Most noticeable of Kinke Kooi’s ... More » »
Curators Timothy Belknap and Ryan McCartney harness the meta-ness of our zeitgeist by constructing a physical gallery within the massive confines of the Icebox project space at the Crane Arts Building. The exhibition, “Winter Down,” includes work by five artists – Amy Lincoln, Beth Livensperger, Mike Stifel, Becky Suss, and Douglas Witmer – all displayed in the skewed, pentagonal gallery-within-a-gallery constructed specifically for this show. Upon stepping into the Icebox at Crane, the first thing to confront the viewer is a white-walled, open-topped structure smack dab in the center of the room. Leading up to the fifth (missing) side is a hanging, ... More » »
News Jason Lazarus will take your unwanted photos Do you have photos that are too painful to keep around? If so, Chicago-based artist Jason Lazarus will take them. He’s collecting unwanted photos for an art installation. There’s no need to provide the background for the photos, and if you feel they are too private to be shown, the artist will display them face down. Lazarus can pick them up on Sunday February 5 from 10 AM – 7 PM. E-mail him at firstname.lastname@example.org or call 312-953-2885. Knapp Gallery closing Old City’s Knapp Gallery is closing up shop at the end of ... More » »
By Hayley Tomlinson Imagine waking up from a vivid black-and-white dream, in which you explored a recognizable yet distant city dense with foliage and structure, where the most intricate details were highlighted despite a sunless, cloudy sky, and you weren’t quite sure whether you were looking at a mural or real life. This is exactly how I felt when first viewing Becky Suss’ drawings, on display at Vox Populi. Her landscape drawings, void of any human activity, made me reminisce about being a child and exploring the depths of my grandma’s backyard, or weaving in and out of the strange ... More » »
The first thing I saw before going into the Vox building last Friday was a rainbow. Well, a reference to a rainbow anyway. And like those real emanations of light and color after a hard rain, the wheat-paste poster cheered me up and made me laugh. A toss off, perhaps — a smart, on the money parody of the city’s tourism marketing posters — it set the bar high for my very, very brief visit inside.
By Diana Jih Becky Suss embraces remembrance and her artistic seasonal affective disorder through a series of multi-textured oil landscapes at her first solo exhibition in Philadelphia, Cold Cold Ground, on display at Space 1026. Her wintry mix of iced-over hidden streams and snowed-in backyard gardens calls to mind the past season and the missing places of spring. Those places exist once again in these recreated memories. During her First Friday opening, “Green River” and “wish you were here” twinged my nostalgia for pockets of rural New England I’ve happened upon in previous years.
Beth Brandon, Clearing, 8.5″ x 11″, 2008We headed out to Old City and Chinatown last Friday and saw some stuff worth seeing. TOPSTITCH Beth Brandon‘s show at Topstitch was our first stop. Her small eco-drawings showed a seriousness of purpose with their intense mark-making. The woodsy iconography floating on a sea of white is familiar (Justin Witte, Ben Volta, Robyn O’Neil, etc) but the dreaminess and the fashion sensibility (a series of drawings show a line of balaclavas made from leaves) give it a little surprise. Brandon will be in a two-person show at Copy Gallery in September. That show’s ... More » »
The rainbows were finer than my camera could capture The rainbow was sudden. We were racing up to Little Berlin Friday along I-95 when Murray and I spotted it. We were so excited we missed our exit and almost drove off the road. The first thing that struck me was how yellow it was at the base, shimmering and golden. I’d never seen that effect before, but I bet the legend about the pot of gold at the foot of the rainbow comes from that. The second thing the struck me was I wasn’t going to be able to get ... More » »