(Maegan appreciates the intricacies of several ink-on-paper works, and considers how an artist might choose to let go of her work. — the artblog editors) Showing this month at Gallery Joe is Astrid Bowlby’s Sample (d)(r). The artist has chosen to display 15 sets of two drawings each. The drawings are barely discernibly different from one another and are composed of ink and mixed media. Only one of the drawings from each set is for sale: the buyer’s choice. Bowlby will keep the drawing that remains from each set. Letting go after creating Bowlby says, “The title of the exhibition, ... More » »
(Maegan’s review talks about Allyson Strafella’s two bodies of work at Gallery Joe and finds them both evocative of visual note-taking and the private language of journaling.–the artblog editors) Allyson Strafella’s studyline at Gallery Joe features a collection of drawings of the traditional sort and those of a less traditional method. Strafella’s trademark is her typed drawings, typically composed of numerous punctuation marks typed together in such a way as to create an image. Aesthetically, I responded to the works’ abstraction and texture. As a writer, I felt connected to her work on a deeper level; it is familiar, like a well-filled ... More » »
City dwellers face unpredictable environments. Whether descending into subterranean tunnels or ascending into office towers; biking merrily along while inhaling large quantities of carbon monoxide or walking through the stench of human waste that wafts from Center City’s overtaxed sewage system, a day in the city is a moment-by-moment negotiation between the inanimate and animate, the accidental and intentional, the old and new. In a dialogue between the works of three artists all concerned with architecture and city spaces, Urban Environments at Grizzly Grizzly shows pieces that portray the artists’ subjective conceptions of the urban world. A collaboration between two artists ... More » »
On the way to Art Miami, held this year in the midst of a group of other fairs in Wynwood, across the bay from Miami Beach, I ran into Jayson Musson who was heading off to see a friend at Scope, one block south. Jayson had come to Miami to do Hennessy Youngman Presents: His History of Art at the NADA fair on December 1, and commented that the entry price to Art Basel Miami Beach was prohibitive. It was. I mentioned that those of us in Philadelphia wish him well, but also wish his descriptor, living in New York ... More » »
By Hayley Tomlinson Imagine waking up from a vivid black-and-white dream, in which you explored a recognizable yet distant city dense with foliage and structure, where the most intricate details were highlighted despite a sunless, cloudy sky, and you weren’t quite sure whether you were looking at a mural or real life. This is exactly how I felt when first viewing Becky Suss’ drawings, on display at Vox Populi. Her landscape drawings, void of any human activity, made me reminisce about being a child and exploring the depths of my grandma’s backyard, or weaving in and out of the strange ... More » »
Rembrandt and the Face of Jesus brings a group of extraordinary paintings, drawings and prints by Rembrandt and his pupils to the Philadelphia Museum of Art (PMA; organized by the PMA, the Louvre and the Detroit Institute of Arts, the exhibition is in Philadelphia through Oct. 30, 2011). It was conceived as a thematic exhibition exploring a question about Christian imagery, but the works can be viewed in many ways and will interest visitors for a wide range of reasons. Rembrandt’s work is rarely seen in Philadelphia, so let me begin with a short list of works from the exhibition, ... More » »
News Philadelphia Museum of Art highlights ten local artists Starting September 10, the PMA will host Here and Now: Prints, Drawings, and Photographs by Ten Philadelphia Artists.
I’ve always suspected that Superwoman was really a trannie (for sure Xena). Big shoulders. Big hair. Big powers. But she was nothing like any woman–or trannie–I ever knew. She’s Superman in a bustier–a weak copy of a guy’s dream of adventure and power.
It’s probably every artist’s dream to deliver a surprise to a skeptical art institution and come away with kudos and love. Astrid Bowlby’s Snag at the Michener Museum, a jaunty 3D
Rob Matthews has always explored dualities in his subject matter — good and evil, faith and doubt, death and life, transgression and forgiveness. Right now there’s a duality in his studio practice as well. Two bodies of work at Gallery Joe (one in ink and chalk and the other in graphite) are both in the service of the subject — chaos and its aftermath. Somewhere in the future, the artist says he hopes to weave the two methods together, perhaps using animation — or in large mural-sized works that he wants to do, stitching the whole together out of some ... More » »