Artblog | An Ongoing Conversation about Art and Community in Philadelphia and the World

Apply Today! The 2019 Art Writing Challenge closes at Midnight, Oct. 31, 2019

Reviews New exhibition ‘Back and Song’ at Girard College explores medical discrimination and healing By Natalie SandstromOctober 22, 2019

Clarivel Ruiz on art at the intersection of Caribbean Latinx cultural advocacy

Ken Lum on the importance of hard work and the relevance of everything

Allyson Mitchell and Deirdre Logue on the history and future of Killjoy’s Kastle

Brujo de la Mancha on his two decades of practicing art in Philadelphia

Food as the storyteller, Emma Ressel on her new exhibition Trouble in the Garden

‘From Storage to Studio’ at The Clay Studio, art of the past through contemporary lens

Kristal Sotomayor and the necessity of ‘Expanding Sanctuary’

Emily Daley and Jerry Kaba, tenants of The Loom unite after sudden increase in additional rent

Reviews Gabe Martinez’s ‘Bound to the Past,’ a revisiting of 1981, at Marginal Utility By Michael CarrollOctober 18, 2019

Features The 3:00 Book By Beth HeinlyOctober 22, 2019

Community Clarivel Ruiz on art at the intersection of Caribbean Latinx cultural advocacy By Wit LópezOctober 16, 2019

Sponsored Post Lightbox Film Center Celebrates Legacy of Ed Emshwiller in First-of-its-Kind Retrospective Exhibit By Lightbox Film CenterOctober 15, 2019

News BREAKING NEWS — Pew Center for Arts & Heritage announces 2019 grantees By ArtblogOctober 21, 2019

Community Ken Lum on the importance of hard work and the relevance of everything By RobertaOctober 13, 2019

Reviews How Are We Free? Lifelines Project pairs art by people in prison and artists outside, at Vox Populi By Alex SmithOctober 11, 2019

Community Allyson Mitchell and Deirdre Logue on the history and future of Killjoy’s Kastle By Wit LópezOctober 11, 2019

Reviews Expanding ‘outside,’ Lisi Raskin and Jesse Harrod’s ‘Mending and Repair in Response’ at Fleisher Ollman By Natalie SandstromOctober 9, 2019

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