Sex, aging bodies and the human condition, Joan Semmel’s overdue first solo museum show, at Pennsylvania Academy of the Fine Arts By Andrea KirshJanuary 20, 2022
 
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Artist and Art Director Eric Battle talks about “BLAM!”, A graphic novel profiling fourteen Black historic Philadelphians
With joy and generosity, Terrell Halsey organizes a show about the hopes of Philadelphians for change in their neighborhoods
Defining art in a fresh way, Rah Crawford adopts NFT and crypto currency and retires from the art world
Nadia Hironaka and Matthew Suib’s ‘Field Companion’, a not-so-alternate reality, with fungi
Artists of Color Collective, an active, student-led community for diverse creatives at Temple University
The cycle of life, on wheels, with Sanchel Brown
From the folks who love pop culture, it’s “Pop, the Question” podcast, from Drexel’s Pennoni Honors College
Joy is Bridgette Mayer’s focus and motivation
Upstairs and downstairs, the question of what goes where and why, at the museum By Janyce Denise GlasperJanuary 14, 2022
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The 3:00 Book By Beth HeinlyJanuary 21, 2022
Black Quantum Futurism gets Creative Capital, Judilee Reed to US Artists, Wayne Thiebaud at Brandywine River Museum of Art, Moe Brooker passes, plus Opportunities and More By RobertaJanuary 13, 2022
Transparency, opacity and the limits of human understanding in Jennifer Packer’s “The Eye is not Satisfied with Seeing,” at the Whitney Museum By Kate BrockJanuary 11, 2022
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Artist and Art Director Eric Battle talks about “BLAM!”, A graphic novel profiling fourteen Black historic Philadelphians By RobertaJanuary 18, 2022
Kelsey Halliday Johnson leads and advocates for the arts and social justice at SPACE in Portland, ME By Deborah KriegerJanuary 10, 2022
‘Afro-American Images 1971’ exhibit is restaged by Delaware Art Museum in a museum mea culpa By Susan IsaacsJanuary 6, 2022
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Impassioned creativity plus awareness of being watched, in ‘Dark Sousveillance’ at Vox Populi Gallery By Alex SmithJanuary 5, 2022
Liberta Awards 2021 By RobertaDecember 30, 2021
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Comics
Six panel comic from the satirical series "Grand Ballroom of Doom" in which two ducks argue about politics, each presenting opposing "radical" views (duck #1 is pro-choice and pro-freedom to vote act; duck #2 is anti-vaccine believes in the big lie); ultimately they bond over their shared belief about farts that "he who smelt it dealt it"
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