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Artist and educator, rod jones ii talks of identity and family histories
Open Kitchen Sculpture Garden, Sculpture House, teaching, bartering, community, Pedro Ospina makes it happen
GoggleWorks Summer Artists in Residence, on loving their shared studio space and other thoughts
On piñata art, Family Fiestas, ‘Latinos Who Lunch’ and Taco Bell, Justin Favela explains
Meet Zoë Rayn Evans, the new Executive Director of University City Arts League
Talking to Anne Ishii, arts leader and new host of the WHYY-PBS show, ‘Movers and Makers’
Artist and curator Chelsey Luster on Blackness, visibility, and claiming space
Artist and Art Director Eric Battle talks about “BLAM!”, A graphic novel profiling fourteen Black historic Philadelphians
Brooklyn Museum, mining the wealth of the artistic community of Brooklyn By Andrea KirshSeptember 20, 2022
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The 3:00 Book By Beth HeinlySeptember 30, 2022
Sponsored Post Sarah McEneaney and Lydia Ricci, ‘The Extra Ordinary
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A recap of the PMA workers’ long road to a union contract, and how Philadelphians can help By L Autumn GnadingerSeptember 20, 2022
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Rebecca Segall on her first two years as Director at Gross McCleaf Gallery By Elizabeth JohnsonSeptember 23, 2022
Sponsored Post Pumpkin Palooza and Arts Festival Reading and Holiday Market at Goggleworks! By GoggleworksSeptember 12, 2022
You are Invited! Come to Artblog’s Auction and 19th Birthday Party, Sept. 15! By RobertaSeptember 9, 2022
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Charles Burns at Partners and Son, honoring indie comix royalty By Tasso HartzogSeptember 8, 2022
Dr. Samella Lewis’s legacy advocates for inclusion of Vivian Browne in art history record By Janyce Denise GlasperSeptember 6, 2022
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A 6-panel, black and white comic about striking workers at the Philadelphia Museum of Art shows two picketers talking about the new PMA Director Sasha Soda, with one complaining that she is performing identity politics, all style, no content.
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