Artblog Celebrating 20 Years!   Support Us Today!

Upgrade those costs, Ditta replies to Franklin

By September 26, 2003
sponsored
cameraActually I’m not sorry about not having to slide work anymore but the costs you’re talking about are costs after the fact of buying a scanner, a cd burner, learning Photoshop and assorted other technology and that’s assuming you’ve already got a relatively modern (or should I be saying contemporary) computer. Cheap eventually but not cheap right away for everyone – in time or money.

And what about the cost of the new digital camera I’ll have to get when I can’t buy film anymore? The future is probably glorious but perhaps not a bargain. (For more on this thread, see posts dated 9/24/03 and 9/20/03)

–Ditta

Tags

:

You Might Also Like

A photo shows a still image of a video on two wall size screens and reflected in a series of mirrors on the ceiling, a portion of a the video is split in two and a shiny black floor resting under it, the screen has an image of a person shown from the back who looks to be jumping into highly reflected water, this image is mirrored above in a fractured screen.

SWARM, the kaleidoscopic visions of artist and filmmaker Terence Nance at the Institute for Contemporary Art
319 North 11th Street in the Callowhill Neighborhood of Philadelphia

Shop local, shop artists this holiday season, a short list
Paul Cezanne Still Life

Memento Mori, A trip through skulls, Sotheby’s, shot glasses and soap
Bouquet3

The quintessence of collaboration – Damon Kowarsky and Atif Khan in Hybrid at Twelve Gates Arts
sponsored
Recently on Artblog
Artificial Intelligence and ‘Your Brain on Art,’ thoughts on two provocative topics
August 29, 2023 by
Sponsored Post
Sarah Peoples Makes Waves, a Rainbow and Much More, at Glen Foerd
August 30, 2023 by
Talking with FJORD on their ten year anniversary
September 19, 2023 by
On the Paper Trail at New York’s Art on Paper Fair
September 20, 2023 by and
Comics
A black and white multi-paneled comic by Derick Jones titled Nose Bleed. This installment is part five. The story opens with a pumpkin on a fence with someone's photo attached and the words, "Later that day." The following panel exclaims "BOOM!!!" as the pumpkin explodes. Following a boy with dreaded hair and a bloody nose clenches his fists and exclaims, "Yes!" The next panel shows the man speaking to another man with black hair and an open collar shirt, they are in a trailer park, the first says, "Brett and his goons come anywhere near me this summer they're getting popped!" The other man responds, "Nah man. Way too violent." The following panel shows a closeup on both their faces, the man with the open collar begins, "We do something like that and it makes us no better than them. Plus you're way too kind to pull that off." Proceeding to a row of three vertical panels. The man with the open collar shirt continue to go back and forth with the dreaded man, "We gotta embarrass them. That way they feel how we feel." The other responds, "Great so we're gonna take the high road some more?" the other "Not exactly. We'll think of something." In the middle panel the collared shirt man walks away from the other man in his backyard. The man with dreaded hair asks, "Where you going? Let's think of something now." The other responds, "To Tilda's house." In the final panel of the row the man can be seen walking down the alleyway between houses, the dreaded man yells from his backyard, "Great, no revenge and I'm the third wheel now?" The man walking responds, "Haha! Later dude." In the next panel the front of a house is shown with someone trying to enter, it's night as indicated by the text, "Later that night." The next panel shows two people sitting on the sidewalk outside an empty lot between buildings. One says to the other, "Gary! Thank God it's you!" In the next panel we see the people speaking, one a female on the ground grabbing her knee. Gary says, "Stacey? What're you doing out her?" She responds, "Dude I totally goofed and uh twisted my uh ankle! Can you look at it?" The next four panels are backgrounded black, isolating the figures. Gary leans toward Stacey and says, "Not much I can do. Why don't we call your parents and they can come-" Stacey interrupts, "I totally would but uhmm. My phone! It's like so dead. Just like sit with me til it feels better please." The next panel the tip of a bat appears out of the dark, Gary says, "I can sit for a little bit but are you sure there's no one we can call?" The following panel the bat is shown drawn back with hands gripping it, Stacey is heard saying, "Dude my parents would totally kill me if they knew I was out here this late." the next panel blood rushes from Gary's head as a "CRAK" is heard.
 
Navigate the Scene
sponsored
Artblog Archives
Support
Subscribe
sponsored
Support
Subscribe
 
Navigate the Scene

Support for Artblog has been provided by The Philadelphia Cultural Fund.
Since 2003, An Ongoing Conversation about Art and Community in Philadelphia and the World