I wanted to see more of Parker’s art so Oona and Parker came to the studio one day last week. Parker had a large black leather portfolio with him that he said used to be his dad’s, I believe. I thought that was sweet.
The artist said he took some courses at Kutztown University but didn’t get a degree. He’s been taught some, but mostly he draws in a style reminiscent of ’60s-era posters with the trip factor high. The young artist has talent and drive but like most of us he hasn’t got a clue about marketing his art. He’s been giving it away. (image is detail from a poster he made for his friends, the band Complex. He showed me a bunch of posters he made free for the band when they played at places like the Khyber and the TLA. Parker’s also in a band but I failed to ask the name or whether and where they play.)
Parker’s work is all hand drawn, no Photoshop involvement. The materials he uses are watercolor, graphite, gouache and “Pro white” (a kind of better, easier to handle White Out pen, he said). He works the pieces over long periods of time and showed me several things that had been started a while ago and would be finished some day.
I think Parker’s sense of play is great and that the his over-the-top everything and the kitchen sink world, full of mystery and a fascination with the dark side is in tune with today. I hope he can get a grip and start selling some work because it’s good; he’s serious; and he’s hard-working. (here’s a piece called “Octopus’s Garden.” He’s giving it to his nephew.)