Blaise Tobia and Virginia Maksymowicz saw the open-call non-juried summer show at the lower east side gallery and call it anarchy at its best. Read on for more about the 800-artist show, open for another week or so.
Read MoreJanyce Denise Glasper sees the Jean-Michel Basquiat exhibit organized by the beloved artist’s sisters Lisane Basquiat and Jeanine Heriveaux, and calls it strong, meaningful and moving. The ticketed show, in Chelsea, with exhibition design by Sir David Adjaye, OBE, has been extended to Sept. 3, 2022.
Read MoreTasso Hartzog visits iMPeRFeCT Gallery for their 10th Anniversary Exhibitions, featuring playful shows by three artists: Sheldon Omar-Abba, Mateus Kaplan, and Ben Peterson! The internationally dirty gallery (and at times, dirty artwork) makes for a varied set of work that’s united by its approachability, playfulness, and perspective. The three shows are on view June 4 – July 16, 2022. Don’t miss it!
Read MoreSusan Isaacs sees the popular show of Joan Mitchell’s works at the Baltimore Museum of Art (BMA) and says the show lives up to its reputation: “It really is that good.” The show is at the BMA until Aug. 14, 2022.
Read MoreArtblog returning contributor, Elizabeth Johnson, reviews a New York exhibit inspired by pandemic isolation and its impact on the human need to connect.
Read MoreOn a trip to the to see “Sean Scully: The Shape of Ideas,” Logan Cryer is disappointed by the lack of context provided about the artist, whose “work has a bit of a reputation as not being as well-liked as some major art institutions would advertise,” Logan says. Wanting to better understand the abstract artist’s popularity, Logan felt alienated when they found no clear or compelling defense of the work, neither in the wall text, nor through the (lack of) display of documents from the artist himself. What does unimaginative curation mean for the legacy of the artist? Read the review to find out what Logan thinks!
Read MoreCalling it Faith Ringgold’s “moment to shine,” Janyce Denise Glasper writes about the experience of spending an entire day immersing herself in Faith Ringgold’s detailed expressive works at The New Museum and ACA Galleries. She comments that Ringgold “invested so much in her brave, revolutionary practice. The audience must perform that same duty to her.” Both shows are up until early or mid-June, 2022. Links and more information at the bottom of this post.
Read MoreKate Brock reviews “House and Travels,” paintings by Dona Nelson, Emily Davidson and Zachary Rawe. Though each artist’s painting style and subject matter is distinct, their handling of color and paint reveals their connection: Davidson and Rawe both studied under Nelson at Tyler School of Art, and they all share an interest in breaking down the hidebound categories of “abstraction” and “representation.” Organized by the artists themselves, Kate Brock says this is a “stubborn, delightful group of paintings,” on view at Atelier Art Gallery through April 15th.
Read More
