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Andrea Kirsh visits DC and reports back on the Smithsonian American Art Museum’s new retrospective on self-taught folk artist Bill Traylor. “Between Worlds: The Art of Bill Traylor” presents a thoughtful and nuanced (if overly-ambitious) reframing of an artist who developed his vibrant and graphic style of image making during one of the darkest eras in this country’s history. Catch it now through March 17, 2019.
Read MoreBy now you’ve likely heard that Space 1026, one of Philly’s oldest collectively-run art spaces, is being forced out of its Arch street location. Here Chip Schwartz interviews current Space 1026 members and gives us the inside scoop on the organization’s bumpy beginnings and tenuous future. Read on to learn how these artists are turning a potential setback into an opportunity!
Read MoreMatthew Rose reviews Julie J. Thomson’s new book of interviews with late mail artist Ray Johnson. What emerges is an affectionately-rendered composite image of an elusive man whose whimsical patterns of speech and thought closely mirrored his approach to making work.
Read MoreImani speaks with emerging artist, curator and poet Malachi Lily about shape-shifting, leadership and making space for nuanced representations of blackness.
Read MoreIt’s easy to take the security that shelter provides for granted — until you find yourself out in the cold. Here Deb Krieger reviews “Shelter,” a new show at Davinci Art Alliance, presented in conjunction with Philadelphia Sculptors, which explores the vulnerability not only of our built environments, but of our own bodies and minds. This moving and topical exhibition closes September 26, 2018, so catch it while you still can!
Read MoreNew Artblog Contributor Sarah Kim chats with ubiquitous performance and mixed media artist Katie Rauth about her current Leeway-supported project on radical fat politics. Settle in for a great conversation about humor, visibility and the subversive potential of material excess!
Read MoreAndrea Kirsh gives her take on the late, great Jack Whitten’s newest retrospective. The exhibition, which focuses on the artist’s richly-textured wood sculptures and African-inspired assemblages originated at the Baltimore Museum of art and is now turning heads at the Met through December 2, 2018.
Read MoreCan bodies in motion help us to understand grief and loss? Local choreographer and 2012 PEW recipient, Meg Foley thinks so. Here new Artblog contributor Levi Bentley speaks with Foley about her upcoming Fringe performance, the undergird — an ensemble piece for four dancers which builds upon the research of her previous solo work, Action is Primary. Get into it!
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