Sam Brown sees a provocative show at Second State Press of printed posters made by the group “Prints for Protest.” He appreciates how many different ways artists in the show connect with protest issues alive today.
Read MoreWhat is the role of an artist when their old neighborhood is gentrified by art galleries and the neighborhood doesn’t want them there? This highly topical question, and others, are examined by Guadalupe Rosales in her splendid “Legends Never Die: A Collective Memory,” at Cantor Fitzgerald Gallery, Haverford College. Deborah Krieger writes a great personal take on the show.
Read MoreSarah Kim visits the exhibit at the William Way Center and views art whose materials defiantly separate it from traditional mainstream art. Altars made with found materials; altered photo-portraiture; drawing installations and collage, made by six artists, the art is metaphorical and symbolic of the state of being in flux, in transition. Kim’s powerful writing leads you through the exhibit, adding insightful commentary and insights. After considering this show about fluid states of identity, Kim concludes that ultimately, selfhood is the experience itself, and art, which is based in objecthood, can point the way.
Read More“Cornucopia / Urn” is a show at Spillway Gallery that features work by Nora Chellew and Suldano Abdiruhman. Samuel writes about the interplay between these two artists and how they create a dream-like space that evokes the fragmentation of memory and the nostalgic feelings we have towards the past. He also reached out to the show’s Curator, Babs Weiss, to learn more about the thought-process behind the exhibition’s conception. The show closes on February 9th, so make your way on over!
Read MoreGuest contributor Mina Zarfsaz describes the power of “Letter to the Public,” an interactive installation currently on view at Icebox Project Space through January 26th.
Read MoreMichael Lieberman checks out the newest show on view at High 5 Gallery, a relative newcomer to Philadelphia’s always-vibrant gallery scene. The exhibit “Untethered” is tied together by its warm coloration and overarching sense of whimsy. Michael says the work is a steal at its current price, so if you’re a collector on a budget, swing by before the show closes on January 31!
Read MoreLogan Cryer visits “Quality of Life,” Jennifer Packer’s current show at Sikkema Jenkins in Chelsea. Packer, who Artblog founders Roberta Fallon and Libby Rosof first met as a student in their senior painting class at Tyler School of Art, composes lush, figurative paintings from an economy of strokes and suggestive erasures. Her show closes January 19, so check it out for yourself while you still can!
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