A gallery move to Fishtown by Wexler, and an Executive Director change at MAP, the performance art funder, remind us that the art world is filled with change, some of it great, after a pandemic from which we are all still reeling.
Read MoreOur new contributor, Martina Merlo, sees a two person exhibit at Tiger Strikes Asteroid and is excited for the dialog the two artists’ works enter into that deal with the end (or not) of image making.
Read MoreSusan Isaacs pays a visit to Margery Amdur’s studio for a talk about the artist’s work, her exhibitions coming up and her process of working with fabric in accumulations sometimes enhanced with sewing machine glitches which give flavor and texture to the abstract works.
Read MoreRyan takes his children to see the new AR piece by Eto Otitgbe at “The Cut” and at Asian Arts Initiative. The exhibit and project, “Invasive Species,” raises issues about urban habitats, invasive species and climate change, while allowing the viewer to imagine different realities. AAI’s annual block party and live outdoor programming happens this weekend, Sat., Oct. 7 and Sun., Oct. 8. More information and links in Ryan’s post.
Read MoreLane Speidel sees Anne Minich’s show of her iconic “head” series at Commonweal Gallery, created over the course of almost 50 years. In this poetic review, Lane says the experience of the works is utterly singular and comments, “Minich’s figures are both falling down a well and rising from it. Slipping behind the veil and pushing them aside. The inherent hubris of painting matched with the negation of idolatry.”
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