Logan Cryer interviews Chelsey Luster– a curator and artist exploring topics like race, gender, and sexuality– about their newest curation, “Wading: When the Water Rises,” on view this Friday, Feb. 11, at Vox Populi thru March 13. Chelsey’s advice for other young artists of color is to protect themselves and never forget how much institutions gain from their ideas, representation, and diversity.
Read MoreProvoked by the placement of Emma Amos’s art at the Philadelphia Museum of Art, an exhibit at the same time as the Jasper Johns exhibit, which seemed to put the Black woman artist’s works subsidiary to the white male artist’s, our contributor Janyce Denise Glasper muses on the two concurrent museum exhibits of Jennifer Packer (at the Whitney Museum and at LA MoCA), and says “Jennifer Packer shifts the narrative to where they (Black artists) can land if given the opportunity.” We hope you enjoy this thoughtful essay by a passionate young writer thinking about the power imbalance in the art world today.
Read MorePatrick Coué sees the materially-complex paintings by Shwarga Bhattacharjee and calls the works a perfect immersion into a reverie space far away from our “world of constant mediated inputs.” The works are both abstract historical landscapes and topographic maps, that are layered with meanings and feelings, Patrick says.
Read MoreThe News post is filled with names of POC being advanced in the art world; and we also rounded up some gallery news, bookshop news, museum news, and opportunity calls for Black, Brown and Indigenous filmmakers to submit to Blackstar Film Festival and zine makers to listen to a panel talk about making zine festivals more equitable.
Read MoreNFTs were meant to help artists, but the new ‘Digital Art Market’ seems even more capitalistic and messy than the non-digital one, and has a high environmental cost. The rich get richer, while artists and others are hurt by scams. Artists are not responsible for the technology itself and we understand the tech’s attraction. We, too, believe artists should be paid when their art is re-sold. However, artists who mint NFTs must contend with their negative environmental and economic consequences.
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