…that supports people with disabilities. The artists receive assistance with things like materials and professional development, but they are creatively and financially independent. Alex Baker, director at Fleisher/Ollman, has worked…
Read More…of Philadelphia Office of Arts, Culture and the Creative Economy (OACCE) and the African American Historic Statue Advisory Committee (Advisory Committee)—which consists of public art professionals, historians, educators, students, community…
Read More…and were committed to situating the artist’s work in an African context; this includes complex questions around post-colonial independence and earlier 20th century ideas of Négritude. Book cover, Okwui Enwezor…
Read More…humor of this line is not due to a budgeting issue singular to Fabric Workshop Museum or His History of Art. Jay’s breaking the fourth wall is funny because creative…
Read More…you with their meaning about the “buying” and “selling” and commodification of Africa at the hands of non-African nations. Samson Kambalu was born in Malawi in 1975. Now based in…
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