Artblog contributor Mary Murphy sees the multi-media exhibition of Virginia Maksymowicz at Rowan University Art Gallery and reflects that delving into the past is a way to come to terms with the present: “At a time when we are so focused on the dubious future of humanity, from our possible extinction via climate change, violence, and war to our gradual replacement with 3D laser-cut body parts and genetically manipulated DNA, it’s refreshing to see work about our past: it extends and broadens the context for considering what it means to be human at any given time.”
Read MoreAndrea Kirsh reviews two catalogs documenting and contextualizing exhibits of art by feminist artists of different eras and art genres.
Read MoreFeminist artist Joan Semmel’s first solo museum exhibit is long overdue. Our contributor Andrea Kirsh says that Semmel “…breaks taboos about the depiction of women, their bodies and their thoughts.” The show is at PAFA through April 3, 2022. Be sure to catch it.
Read MoreSusan Isaacs visits the Smithsonian American Art Museum (SAAM) and is impressed by two socially concerned exhibitions: “”¡Printing the Revolution!”(on view through August 8, 2021) and “Alexander von Humboldt and the United States” (now closed; online materials available).
Read MoreArtblog contributor Natalie Sandstrom reviews artist Riva Lehrer’s memoir “Golem Girl,” which chronicles her artwork, activism, and experiences as a queer person who has spina bifida.
Read MoreIn the face of COVID-19, Artblog is hosting an open call, non-juried, first come first-served online exhibition entitled “Artists in the time of Coronavirus.”
Read More