Contributor Dereck Mangus knew a lot of taggers back when he attended MICA and he’s been studying the street art called graffiti ever since, fascinated by the phenomenon that many self-taught artists turn to to literally make their mark on the world.
Read MoreCalling some works startling and unnerving, Logan Cryer makes the case for the importance of Mike Cloud’s provocative, Afro-pessimistic multi-layered non-painting paintings. This is a show you should see, Logan says.
Read MoreSusan Isaacs visits the Smithsonian American Art Museum (SAAM) and is impressed by two socially concerned exhibitions: “”¡Printing the Revolution!”(on view through August 8, 2021) and “Alexander von Humboldt and the United States” (now closed; online materials available).
Read MoreDereck Stafford Mangus reviews “The Art of Looking at Art,” a guide book by Gene Wisniewski. Dereck says skillfully unpacks otherwise cryptic art history and art theory materials, and that the book is a valuable asset for ‘art novices’ and art historians alike.
Read MoreArtblog contributor Janyce Denise Glasper reviews the book “128-G” — a collection of photos, paintings, letters, writings and more, from incarcerated men in Calipatria State Prison, Southern California. Janyce says the book is poignant, inspiring, and articulates urgent truths about structural inequality. Book purchase details in this post!
Read MoreCo-curators J. Susan Isaacs and Erin Lehman write an essay about their exhibition “All Night Party,” which places contemporary works in conversation with 20th century party dresses, drawing similarities between America’s political climate then and now.
Read MoreIn honor of Jonathan Lyndon Chase’s new book, recent exhibition at Company Gallery, and glowing review by Roberta Smith, we encourage you to revisit our 2017 Artblog Radio interview with them!
Read MoreIn the face of COVID-19, Artblog is hosting an open call, non-juried, first come first-served online exhibition entitled “Artists in the time of Coronavirus.”
Read MoreIn the face of COVID-19, Artblog is hosting an open call, non-juried, first come first-served online exhibition entitled “Artists in the time of Coronavirus.”
Read MoreMatthew brings compelling work into focus on the streets of New York and London, two pillars of the international street art scene, with help from photographer friends MJ Moon and Mathilde Denis.
Read MoreBy controlling the atomizer, the thing that makes paint into microscopic droplets, the street artists were fighting the atomization of modern man. It was a rebellion against the psychic colony—f–k your copy! It’s what EKG touches on his “Technologies of Human Nature,”a wall-sized hierarchical chart created on black paper with orange oil sticks. He attempts to summarize street art’s ideological foundation, when he writes “bomb the semiotosphere!”
Read More“I did it because I could,” says Rocky 184, the one woman graffiti writer who gets a deep look in the movie. The self-proclaimed tomboy from Washington Heights is not alone in her unfocused motivation. “I was bored,” says Snake 1. It was not political, say a number of the others. The best, nuanced comment is from Cool Earl, who says “It was a sign of the times, a sign of our youth, our lack of funds and perhaps our lack of paternal guidance.”
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