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page 4
May 27, 2014 by
Seeing stripes–a celebration of Gene Davis at Temple Contemporary
December 15, 2013 by
Kay Healy on Artblog Radio – The comfort of soft domestic environments placed in the world
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December 9, 2013 by
Cracks in the boundary walls – Keith Harrison and Napalm Death
December 3, 2013 by
Lewis Colburn on history and how it morphs through the re-telling – An Artblog Radio podcast
November 23, 2013 by
Chris Burden’s Extreme Measures at the New Museum – Extremely good
October 26, 2013 by
Scott Pellnat’s 3D gizmo cartoons at UArts and Stedman Gallery, Rutgers, Camden
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October 24, 2013 by
Wind Fleisher Challenge 1 – House, home, hearth, people, in Daniel Gerwin, Kay Healy and Ashley Wick’s works
October 11, 2013 by
Jason Rhoades, Four Roads at ICA – Some roads are better than others
August 5, 2013 by
Catalog Review – Claes Oldenburg; The Sixties
July 17, 2013 by
Dublin – Temple Bar Gallery + Studios and the Irish Museum of Modern Art
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June 30, 2013 by
Dublin – Niamh O’Malley and Barbara Knezevic; on looking and materiality
October 3, 2012 by
Winifred Lutz – Between Perception and Definition at Abington Art Center
January 24, 2012 by
1967 and 2011 – Nadia Hironaka and Matt Suib at Locks Gallery
January 24, 2012 by
Rivane Neuenschwander in Dublin, Lygia Pape in London, and a book on Art under Conditions of Political Repression
page 4 of 5
Comics
A four-panel comic titled 3:00 at the top, meaning three o’clock in the afternoon, shows a white woman and a Black women greeting each other, with the Black woman feeling confused and uncomfortable and the white woman feeling good (and clueless as to how the Black woman feels).
 
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