Wit has a chat with talented printmaker and sculptor Carson Fox about her forthcoming exhibition, “Splendiferousness.” The show opens this First Friday, July 5th and runs until August 10, 2019 at Stanek Gallery in Old City, Philadelphia.
Read MoreJacob Chris Hammes is an artist, curator, teacher, and founder of the gallery Pilot Projects. In this podcast Morgan Nitz and Roberta talk with Chris about funding, the importance of discourse, seasonal- (and capitalism fueled-) depression, pond theory, and hear a few jokes. Catch Jacob Chris Hammes’s upcoming solo show, at the new gallery, Information, 2024 E Westmoreland St, on April 13th, 2019. The interview was recorded at Pilot Projects and is 31:40 minutes.
Read MoreSamuel Brown reviews “Knowledge Lost” at Gallery 1201, by the artist collective “Difference Engine,” (John Bezark and Chris Baldys.) Brown says this interactive installation, which prompts you to write a eulogy out of deleted Wikipedia entires on an old computer, is especially impactful when experienced in solitude. The show closes Friday, Mar. 22, so catch it quick before it’s gone.
Read MoreIn her review of Cecilia Vicuña exhibition, Andrea Kirsh calls the works — little cobbled-together objects tacked to the walls or arrayed on a low platform on the floor — marvels. But these objects are not nothings to throw away but objects with magical shadows and poetic meanings, and their mystery delights.
Read MoreGuest contributor Mina Zarfsaz describes the power of “Letter to the Public,” an interactive installation currently on view at Icebox Project Space through January 26th.
Read MoreTina Plokarz takes a trip down to WIlmington to view Aaron Eliah Terry’s current exhibit at The Delaware Contemporary. Terry, who is a current member of Vox Populi, (as is Tina), makes collages, prints and sound installations that explore the relationship between music, visual culture and political activism from the 1960s and 70s until today. Get down to The Delaware quick before “Syncopated Samizdat” closes on January 10.
Read MoreAndrea Kirsh pens an appreciation of Make Me a Summary of the World, Indian-American artist Rina Banerjee’s solo show currently up at the Pennsylvania Academy of Fine Art. Densely layered in materials and meaning, this exhibition addresses the legacy of colonialism and the transnational nature of the contemporary art world through sensuous textures and bright colors. Rina Banerjee: Make Me a Summary of the World is on view through March 31, 2019.
Read MoreThe bibliography of politically-committed art by African American women has gotten considerably richer with the publication of several exhibition catalogs, all of which are essential resources on their subjects. Here, in part 1 of a two-part series, Andrea Kirsh reviews the catalogs for “Howardena Pindell: What Remains to Be Seen” at the Museum of Contemporary Art Chicago and “Joyce J. Scott: Harriet Tubman and Other Truths” at Grounds for Sculpture.
Read MoreAndrea Kirsh writes about a decorative installation by Talia Greene at Glen Foerd that draws attention to a historic house’s wealthy’s occupants and the hidden story of the poor workers who built it, tended it, and served the owners. She says the historic house’s current caretakers are making some of the hidden histories visible on their website.
Read MoreThis year the curatorial statement for documenta 14 followed suit with the general state of the arts by concentrating on political unrest, economic disparities exploitation, and the displacement of people. Andrea shares some of her favorite moments of the quinquennial festival, and also gives us a critical review of some of the unfortunate selections made by a few curators.
Read MoreAndrea immerses herself in Doug Wheeler’s “PSAD Synthetic Desert III” from 1971, currently on view at the Guggenheim. Wheeler created a soundless environment inspired by the deserts of northern Arizona. Unfortunately, she writes, the 10 minute slot allotted to visitors isn’t quite enough to feel the full sensory effect of this remarkable piece.
Read MoreRon Klein is an artist, a sculptor who thinks big, travels the world to research and find materials, and whose works evoke the cosmos and thoughts about the place of humans in a bigger context. Ron’s got an installation at Abington Art Center now through June 23. Don’t miss it.
Read MoreKitty immerses herself in the 3 new site-specific installations at Eastern State Penitentiary–Unconquerable Soul by Piotr Szyhalski and Richard Shelton, Hakims’s Tale by Erik Ruin and Gelsey Bell, and Sepulture by Jared Scott Owen. These 3 installations explore themes of surveillance, survival, and mortality that resonate with the original function of this 19th-century prison as well as our contemporary criminal justice system.
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