Logan Cryer interviews Chelsey Luster– a curator and artist exploring topics like race, gender, and sexuality– about their newest curation, “Wading: When the Water Rises,” on view this Friday, Feb. 11, at Vox Populi thru March 13. Chelsey’s advice for other young artists of color is to protect themselves and never forget how much institutions gain from their ideas, representation, and diversity.
Read MoreArtblog’s Morgan Nitz interviews artist and filmmaker Nishat Hossain about their recent work and hybrid research practice which involves reading, writing, making, and performing.
Read MoreNatalie Sandstrom reviews “Make Room For Me” at Little Berlin, a video- and photography-heavy show featuring eleven Middle/ Near Eastern queer and femme identifying artists.
Read MoreIn this Ask Artblog column, Dave Kyu discusses the age-old question of whether or not an artist should chase a “hot” trend to make some sales or get into some “hot” exhibition. In his nuanced argument, Dave cautions about the dangers, but says basically that artists should do their soul searching and jump in if the water “feels fine.” Do you have a burning question about the art life? Our mailbox is always open. All questioners’ names kept anonymous. Email ask@theartblog.org or click the link to the Google form at the bottom of this post.
Read MoreLogan Cyer is back with a review of “Big Boys,” the newest Open Call exhibition at Little Berlin, on view through August 26. For them the works on view raise a number of important questions about the politics the personal and what it means to take up space.
Read MoreAn exhibition at Little Berlin utilizes material to address the often uncomfortable nature of the relationship we have with our bodies, from the intimate to the medical and social.
Read MoreArtist-run spaces are quite creative when it comes to naming their spaces. Recall a small handful (in alphabetical order) in Philadelphia: Fjord, Grizzly Grizzly, Little Berlin, Lord Ludd, Napoleon, New Boone, Pterodactyl, Tiger Strikes Asteroid and Vox Populi. In light of these names, I think a naïve question needs to be posed: why do so many artist-run spaces organize their activities under the rubric of names that, on a formal level, have very little to do with artistic production?
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