Three notable events rounded up for your consideration!
Read MoreKate Brock has a close encounter with Sarah Gamble’s paintings and drawings, works that Brock says are in the lineage of the “spiritual-abstract” of Hilma af Klint and the surrealism of Leonora Carrington. She also brings up the exoticism of Elvis! “I see Gamble’s kaleidoscopic worlds as an effort toward a speculative realm, wherein the spiritual, the creaturely, astronomical, atomic, and Elvis all bump into each other, and new poetry is formed.” Enjoy this great review, and catch the exhibit at Fleisher-Ollman, up until March 12, 2022.
Read MoreCalling some works startling and unnerving, Logan Cryer makes the case for the importance of Mike Cloud’s provocative, Afro-pessimistic multi-layered non-painting paintings. This is a show you should see, Logan says.
Read MoreCorey Qureshi visits ‘Molly Metz: Close Closer’ at Fleisher/Ollman gallery, where multi-layered paintings flow into amorphous and cavernous sculptures. Check it out before it closes on August 13, 2021!
Read MoreCorey Qureshi reviews ‘Strange Nature,’ a two-person exhibition of lockdown-inspired paintings by Nancy Mladenoff and Karen Heagle. The show– which Corey says elicits eerie memories of early-pandemic times– is on view (by appointment) through July 29th, at PEEP Projects.
Read MoreCorey Qureshi reviews Lily Wong’s “I Wasn’t There” currently on view at Kapp Kapp Gallery. Corey highly recommends the dreamy exhibition, which they say provides an excellent prompt for reflection.
Read MoreMorgan and Roberta check in with a 37-minute Artblog Radio conversation. They share how they’re coping, discuss a new Artblog community project, and talk Philadelphia’s community-based art scene.
Read MoreCo-curators J. Susan Isaacs and Erin Lehman write an essay about their exhibition “All Night Party,” which places contemporary works in conversation with 20th century party dresses, drawing similarities between America’s political climate then and now.
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