In a 32-minute podcast, Roberta talks with nationally-known artist Justin Favela about his recent show at Paradigm Gallery, which, like much of his work involves creating piñatas that subvert the genre to comment on issues in the world relating to treatment of Latinos and indigenous peoples, both historically and contemporaneously.
Read MoreCalling it Faith Ringgold’s “moment to shine,” Janyce Denise Glasper writes about the experience of spending an entire day immersing herself in Faith Ringgold’s detailed expressive works at The New Museum and ACA Galleries. She comments that Ringgold “invested so much in her brave, revolutionary practice. The audience must perform that same duty to her.” Both shows are up until early or mid-June, 2022. Links and more information at the bottom of this post.
Read MoreFeminist artist Joan Semmel’s first solo museum exhibit is long overdue. Our contributor Andrea Kirsh says that Semmel “…breaks taboos about the depiction of women, their bodies and their thoughts.” The show is at PAFA through April 3, 2022. Be sure to catch it.
Read More“Emma Amos: Color Odyssey” at the Philadelphia Museum of Art is a revelation for those who want to know the art of Emma Amos, who came up during Abstract Expressionism’s heyday and fought against abstraction in works that are complex, inventive and in several cases, stunning.
Read MoreDereck Stafford Mangus reflects on moving from Boston to Baltimore, and into a building clad in Formstone. Dereck compares Formstone’s shaped-stucco facades to art forgeries, calling them “urban kitsch.” But he’s learned to appreciate them as part of what makes Baltimore …Baltimore!
Read MoreDereck Stafford Mangus reviews “The Art of Looking at Art,” a guide book by Gene Wisniewski. Dereck says skillfully unpacks otherwise cryptic art history and art theory materials, and that the book is a valuable asset for ‘art novices’ and art historians alike.
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