Morgan Nitz speaks with Colombian sculptor and performance artist María Leguízamo about vertigo, exhibiting in Bogotá, her membership in the collaborative music and art project, “Peebls,” and more!
Read MoreIn this edition of Ask Artblog, Beth Heinly answers a question about the difference between protest and posture in relation to this year’s Whitney Biennial and the forced resignation of Warren Kanders from the Whitney Museum Board.
Read MoreIn this 28 minute long episode of Artblog Radio, Wit López interviews Gabe Martinez about his two exhibitions at the William way LGBT Community Center.
Read MoreSam Brown sees a provocative show at Second State Press of printed posters made by the group “Prints for Protest.” He appreciates how many different ways artists in the show connect with protest issues alive today.
Read MoreOur advisor, Beth Heinly, tackles the age-old question, Why Make Art? She gets pretty heated about it all, but through it all is clear about her message that Art is what makes us Human, and separates us from the animals.
Read MoreWith the country in state of high turmoil after recent neo-Nazi demonstrations in Charlottesville, VA, and the President’s apologia of the alt-right and attack on peaceful demonstrators, Michael Lieberman’s review of the documentary film, “Whose Streets?,” about Michael Brown’s murder by police in Ferguson, MO, adds relevance to the discussion about institutionalized racism.
Read MoreCulture workers–artists, curators, museums, galleries, and even collectors–will need to choose their weapons well at this highly charged cultural crossroads. Will a paintbrush, pencil, theater, soup kitchen, computer, parade, YouTube, or even cash suffice to forge meaningful change? My guess is the means of engagement will inevitably evolve to match the challenge, but that won’t include simply “liking” a picture of a naked and pregnant Trump in the arms of Vladimir Putin.
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