In addition, the installation’s superb, the art looks wonderful, the documentation does what it’s supposed to do. How can you complain?
When a community art center (this is not a museum we’re talking about) wants to celebrate its history and do so with a swell exhibit, it’s about empowering themselves for the future. Maybe Mr. Sozanski doesn’t care about that but I do. The future of the Philadelphia art scene depends on the community venues — not the museums which tend to overlook and not support the locals. But that’s another story.
Shop local, shop artists this holiday season, a short list
Memento Mori, A trip through skulls, Sotheby’s, shot glasses and soap
The quintessence of collaboration – Damon Kowarsky and Atif Khan in Hybrid at Twelve Gates Arts