Janyce Glasper offers a poetic reflection of John Dowell’s current exhibition at the African American Museum of Philadelphia, Cotton: The Soft, Dangerous Beauty of the Past. On view through January 21, 2019, this installation of large-scale prints and medium-format digital collages explores slavery, not as a particularly southern phenomenon, but as an institution that haunts our nation from Alabama from Wall Street. What’s more, Dowell uses the symbolic force of cotton to carve out a space for personal reflection and collective celebration.
Read MoreArtblog’s newest contributor is our Content Manager, Morgan Nitz! Here she visits The Edge of Precarity, a group show which opened October 27 at Little Berlin and which takes on the value of creative labor and the struggle to stay afloat in our post-recession economy.
Read MoreOn view at the Museum of Modern Art through January 1, 2019, Bodys Isek Kingelez: City Dreams is a comprehensive survey featuring the recently-deceased artist’s “extreme maquettes” — sculptural cityscapes rendered in bold geometries, jubilant hues. Here Katerina Lanfranco fills us in on Kingelez’s unorthodox use of materials and his utopian vision for the future.
Read MoreMatt Kalasky speaks with artist Jerry Kaba about his Arts Wrestling Federation Urban League (AWFUL Wrestling). What started as a joke between friends has become a genuine cultural phenomenon, taking Philadelphia’s DIY arts scene by nostalgic storm.
Read MoreBaltimore-based photographer and writer, Chuck Patch, attends the media preview of the John Waters exhibit and catches the wit, wisdom and lively gestures of the local phenom and beloved Baltimorean, now getting his art world treatment as an artist, yes, didn’t know that? Us either. And, of course, groundbreaking movie maker of Pink Flamingoes, Hairspray and other great, funny and raunchy movies.
Read MoreMichael previews the upcoming documentary, “The Price of Everything,” and calls it a voyeur’s delight for those interested in the art market’s high rollers and art stars. Hot shot artist Jeff Koons gets a lot of screen time, if you’re into him, balanced with some Jerry Saltz and Larry Poons, who speaks about artists losing their souls to the marketplace. The film screens at the Prince Theater starting Nov. 2 and will be on HBO Nov. 12.
Read MoreDeborah Krieger takes a trip to Rowan University Art Gallery to view Heather Ujiie’s current installation of large-scale digital prints and elaborate sculptural objects. Terra Incognita, with its intense color palette and diverse aesthetic influences, explores sexual identity in relation to a range of both natural and spiritual forces. Catch it before it closes on November 17, 2018.
Read MoreThe group exhibition, “Making a Difference: Social and Political Activism in Clay,” causes our reviewer to ponder the deeper meaning behind the words in the show’s title and to weigh in on how art can or cannot be an effective tool to spark societal change. This provocative exhibit is at The Clay Studio through Nov. 17, 2018, so run over and see it.
Read MoreAndrea calls the humanist sculptural works of Rachel Whiteread, powerful, poignant and accessible without gimmicks. She praises the sculpture, cast from domestic objects as big as a house and small as a hot water bottle, which evoke absent bodies.
Read MoreLogan Cryer walks us through Lane Speidel’s elaborate and deeply personal show, “Don’t Miss Me.” Get some nonlinear healing and some treasure-trash before it closes on October 20th.
Read MoreNew Artblog contributor, Sydd Cox takes in the retrospective of Ree Morton’s playful body of work, on view at the Institute of Contemporary Art through December 23, 2018. “The Plant That Heals May Also Poison” includes sculptures and installation works from Morton’s brief but fruitful career infusing post-minimalism with idiosyncratic material riffs on the maternal.
Read MoreNew Artblog contributor, JuWon Park, reviews “Face Tan/Night Swim,” the current solo show by Haiti-born, Virginia-based installation artist, Abigail Lucien. On view at Vox Populi through October 20, her show critiques popular images of the Caribbean as an exotic tourist haven through the subtle arrangement of artificial smells and man-made materials.
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