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Read MoreMicheal Liberman reviews Michele Kishita’s “Absent Futures,” a show of landscape paintings made with a traditional wood burning technique, on view at Central Tattoo Studio and Gallery until March 29, 2020.
Read MoreIf you’re a fan of the iconic Wharton Esherick, this post is for you! For the first time, historical Hedgerow Theatre’s Esherick collection will come to auction at Freeman’s NEW 2400 Market Street location in Philadelphia. Proceeds from the sale go towards preserving the historic theatre, which was attended and beloved by Esherick’s daughter, Mary.
Read MoreKinaya Hassane reviews Acori Honzo’s latest exhibition at Cherry Street Pier: This is Our Story, closing Saturday, March 7th.
Read MoreAndrea Kirsh reviews “Invisible City” a multi-venue exhibition that educates and illuminates the radical, experimental, and non-traditional art scene in Philadelphia during 1956-1976, which closes April 4, 2020.
Read MoreNaveena Vijayan interviews artist Behnaz Karjoo about her practice and solo exhibition, “Immanence,” which closes with a tazhib workshop this Saturday, February 22nd from 11am to 5pm.
Read MoreLogan Cryer interviews Laila Islam and Muhammad Gallashaw, the co-curators of The Future is Us Collective, which focuses on uplifting the artwork of young adult and youth artists throughout the Philadelphia area.
Read MoreNatalie Sandstrom reviews the latest exhibition at Automat Gallery, CAMP Philly. A group show of works by Kelly Dzioba, Zach Hill, and Natasha Le Sourd, it explores the wackiness and superficiality of camp within the arts. Catch the show before it comes down on February 1st.
Read MoreWit sits down with Jennifer-Navva Milliken,the Artistic Director at the Center for Art in Wood, to learn more about her work, the Center, and the exhibitions. “Making a Seat at the Table: Women Transform Woodworking,” closes on January 25th. The Center for Art in Wood is located at 141 N. 3rd Street.
Read MoreMorgan Nitz speaks with Colombian sculptor and performance artist María Leguízamo about vertigo, exhibiting in Bogotá, her membership in the collaborative music and art project, “Peebls,” and more!
Read MoreIn three quick (one minute) videos, Roberta gives tips on writing an artist statement, approaching media outlets and what else artists should be doing in their art practice.
Read MoreIn this “From the Vault” post, K-Fai reviews artist Enrico Fabian’s photo series about the relationship between poverty and waste recycling industry in India.
Read MoreMichael Lieberman visits Luke Jerram’s “Museum of the Moon” at the Franklin Institute, on view until January 5th, 2020.
Read MoreSarah Kim reviews “Rosewater”– an exhibition by the current artist-in-residence at The Clay Studio, Stephanie Kantor– which closes January 5, 2020.
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