Andrea Kirsh visits the moving retrospective of multi-disciplinary artist and AIDS activist David Wojnarowicz, one of three exhibits on the artist currently on view in New York. Kirsh also takes a look at the catalog for this timely exhibition, which does important research that should open the door for more. The show runs through September 30th at the Whitney Museum.
Read MoreLogan Cryer visits Sloppy Seconds, the 2-person show at Space 1026 featuring work by Wit López and Heather Raquel Phillips. It’s a whimsical affair and both artists draw heavily from craft aesthetics to celebrate brown, queer desire. NOTE: The closing reception is Tuesday, July 24, 6:00 PM – 8:00 PM with a performance by Kol-Kez. The exhibit closes July 28.
Read MoreCarl(os) asks artists in the field how they deal with artistic disagreements and conflicts and he gets solid advice, which he shares. Talking and creating space for discussion are key. Read on and see more of what the professionals have to say.
Read MoreJessica Rizzo attends the opening for “SWARM.,” a two-person show on view through September 9 at the Pennsylvania Academy of the Fine Arts. Pairing works by Cuban-American artist Nestor Armando Gil and Haitian-born artist (and current PAFA MFA chair) Didier William, “SWARM.” frames the history of caribbean migration in terms of multiplicity, solidarity, and revolution.
Read MoreMichael is moved by the exhibit of works at the AAMP. The works touch on social injustice issues — the aftermath of slavery, police shootings of Black victims, Afro-Futurist utopias created to escape and take revenge. The imagery is stirring if also grisly in some cases, he says.
Read MoreIn her U.S.solo museum debut, Armenian-Egyptian artist Anna Boghiguian treats the politics of today amidst historical lessons from the U.S. past to create the heated emotional environment of protests singed with issues of slavery, bigotry, militarism and more. Katerina says it’s a show you will, if not enjoy, then appreciate for its passion and art making.
Read MoreLogan Cryer is back and thinking about their experience at the Institute for Contemporary Art’s current group show, “The Last Place They Thought Of,” on view through August 12. The exhibition views race and landscape through the specific lens of the black female body.
Read MoreDeb Krieger visits the Clay Studio’s biannual juried show of American ceramic art, “The Clay Studio National,” open May 26th – July 15th. She reports back on the wide range of practices in contemporary clay, from the abstract to the figurative and from the formal to the political.
Read MoreWelcome back to Ask Artblog, a new bi-weekly advice column where special guest experts answer your most pressing art questions! We’re happy to welcome back comic, zine and performance artist Beth Heinly, as this week’s expert. She’ll be back with us in July, so go ahead and submit your questions for her here, or email ask@theartblog.org for a dose of wit and wisdom.
Read MoreJessica Rizzo visits “Becoming a Specter,” Daniel W. Coburn’s solo current show at the Print Center, awarded him as part of the 92nd ANNUAL International Competition. On view May 18th-August 4th, this exhibition of untitled photographs playfully subverts the camera’s all-seeing powers.
Read MoreThis week on Artblog Radio we’re featuring audio from the Blue Note Salon, an April 21st panel curated by Black Quantum Futurism at the Icebox Project Space. This interactive discussion covers a wide range of topics from the role of jazz musicians and jazz culture in paving the way for the Civil Rights Movement to current efforts by local artists to connect their work to social change movements addressing gentrification, displacement and cultural heritage preservation.
Read MoreNew Artblog contributor, Mark Lord visits “Agnes Martin: The Untroubled Mind/Works from the Daniel W. Dietrich II Collection” at the Philadelphia Museum of Art, and meditates on the enduring appeal of Martin’s subtle hand. Lord hopes this small exhibition of minimalist paintings from the 1960s and 70s, on view through October 14, will spark a resurgence of interest in the reclusive artist’s body of work.
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