In her review of Cecilia Vicuña exhibition, Andrea Kirsh calls the works — little cobbled-together objects tacked to the walls or arrayed on a low platform on the floor — marvels. But these objects are not nothings to throw away but objects with magical shadows and poetic meanings, and their mystery delights.
Read MoreSam Brown sees a provocative show at Second State Press of printed posters made by the group “Prints for Protest.” He appreciates how many different ways artists in the show connect with protest issues alive today.
Read MoreSarah Kim visits the exhibit at the William Way Center and views art whose materials defiantly separate it from traditional mainstream art. Altars made with found materials; altered photo-portraiture; drawing installations and collage, made by six artists, the art is metaphorical and symbolic of the state of being in flux, in transition. Kim’s powerful writing leads you through the exhibit, adding insightful commentary and insights. After considering this show about fluid states of identity, Kim concludes that ultimately, selfhood is the experience itself, and art, which is based in objecthood, can point the way.
Read MoreIn one of her last podcast interviews for Artblog Radio, Imani Roach speaks with Yolanda Wisher, poet, educator, community advocate and Curator of Spoken Word at Philadelphia Contemporary (PC). Wisher talks about her beginnings as a writer, fueled by a mother who was a voracious reader and forceful advocate for her as a writer when she was in elementary school. The wide-ranging conversation explores why Wisher has a studio at Cherry St. Pier; how she figured out that poetry could be used for social change; her (not widely known) work as a singer and her upcoming podcast series for PC, which will enlist Philadelphia poets and DJs and include poetry recitation and music, and not so much conversation. This great conversation was recorded at Moore College of Art and Design’s TGMR Radio, and is 38 minutes long.
Read MoreNew contributor and friend of Artblog, Wit López speaks with multi-disciplinary artist Heather Raquel Phillips about documenting people of color in the leather community and turning the camera on herself.
Read MoreMichael Lieberman checks out the newest show on view at High 5 Gallery, a relative newcomer to Philadelphia’s always-vibrant gallery scene. The exhibit “Untethered” is tied together by its warm coloration and overarching sense of whimsy. Michael says the work is a steal at its current price, so if you’re a collector on a budget, swing by before the show closes on January 31!
Read MoreImani reviews the new catalog from Rizzoli Electa, “I Too Sing America,” published in conjunction with the exhibit by the same name at the Columbus Museum of Art. Chock full of color images, archival materials and biographical insights, the coffee table book by writer and the show’s curator, Will Haygood, a Columbus native, is more than just a pretty face, she says.
Read MoreBecky Suss’s new paintings on view at Fleisher/Ollman honor the legacy of mid-century craftsman Wharton Esherick, whose home studio is in Chester County. Suss chronicles the spaces Esherick designed and occupied as well as the furniture he is known for, translated through her own vision of the spaces, places and objects. Architect and Artblog contributor Mandy Palasik interprets the show and examines the resonance between these two artists and their bodies of work. “Becky Suss/Wharton Esherick” is open through January 26, so make your plans to visit now!
Read MoreSamuel Brown, a musician and writer, interviews the squad leader of the West Powelton Steppers and Drummers, who tells him that the drum team kept him alive and out of jail when he was young, and now he’s paying it forward, helping kids today focus on performing music and precision steps, rather than hanging on street corners and getting into trouble. Drum squads are a big part of Philadelphia’s recent history and culture, and Antoine Mapp tells you why they matter.
Read MoreTina Plokarz takes a trip down to WIlmington to view Aaron Eliah Terry’s current exhibit at The Delaware Contemporary. Terry, who is a current member of Vox Populi, (as is Tina), makes collages, prints and sound installations that explore the relationship between music, visual culture and political activism from the 1960s and 70s until today. Get down to The Delaware quick before “Syncopated Samizdat” closes on January 10.
Read MoreAsk Artblog Advisor, Beth Heinly, responds to a question about her own art practice of organizing the Open Call Guerrilla Outdoor Performnce Festival (OCGOPF). Beth explains what the festival is for those who haven’t heard of it and suggests that, in the spirit of Philadelphia’s community arts scene, anybody can organize the next OCGOPF, and suggests a few (very few) rules to follow. Have a question about the Art Life for Ask Artblog? Email ask@theartblog.org. Or submit a Google form with your question. There’s a link to the Google form at the bottom of the post below. All names kept anonymous.
Read MoreSaba Taj’s current solo show at Twelve Gates Arts deftly combines humor, beauty and violence in speculative collage work that explores earth’s social and biological future from a queer, brown perspective. Deborah Krieger takes in the Durham-based multidisciplinary artist’s subversive “of beast/ of virgin” and reports.
Read MoreRecent UArts graduate Heet Lee had her first solo museum show in Leipzig, Germany earlier this month and Artblog correspondent Olivia Jia, who visited her friend’s exhibition, tells us about it. Lee’s energetic and aggressive compositions draw imagery from a dizzying array of sources, both public and private.
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