In Part One of this conversation, Artblog contributor Sarah Kim speaks with Andrienne Palchick, Heidi Ratanavanich, and Connie Yu about their limited series zine: FORTUNE, a publication that centers works by queer Asian artists and writers.
Read MoreMatt Singer visits Wheaton Arts to experience an enchanting musical and artistic performance, “Phantom Frequencies” by collaborators Martha McDonald and Laura Baird.
Read MoreToday’s News Post includes two opportunities: One from Mural Arts for a $25,000 project in Kensington, and the other, to perform in a Philadelphia Avian Choir to drown out car and truck noise with bird song.
Read MoreJanyce Denise Glasper visits “Augusta Savage: Renaissance Woman” at the New York Historical Society and experiences why this important female figure of the Harlem Renaissance is a hero to herself and others.
Read MoreDear Readers, after a hiatus of four months and with some needed feedback, we are reviving the News Post, revised here to quickly telescope a curated group of announcements, stories, newsy news and photos to you.
Read MoreJulia Marsh reviews the work of important feminist artist Lynda Benglis, whose current exhibition “Over Air,” is at Locks Gallery until June 28, 2019.
Read MoreIn this sponsored post, Roberta interviews Velocity Fund grantee Karina Puente about her collaborative project #sisterlyhistory, with Yolanda Wisher and Women of Color (WoC) entrepreneurs of Germantown.
Read MoreThe Velocity Fund gives money directly to Philadelphia Artists to Make Art, but the deadline is fast approaching so don’t miss this opportunity.
Read MoreJanyce Denise Glasper visits The Florence Academy in Jersey City, NJ, for a powerful exhibit of watercolor portraits by Mario Andres Robinson.
Read MoreSarah Kim reviews Korean artist Do Ho Suh’s ghostly “The Perfect Home II,” (2003) a gauzy translucent stitched fabric recreation of his one-time apartment in Chelsea.
Read MoreRoberta interviews Sifu Chik Mason and Rhashea Lynn Harmon-El about their practice of Pa Kua Chang (Bagua), a spiritual practice of movement and choreography that is more than 300 years old, with roots in Taoism.
Read MoreSusan Isaacs says the anxiety present in the works in “Monsters and Myths: Surrealism and War in the 1930s and 1940s” at the Baltimore Museum of Art speaks to our times.
Read MoreWit López reviews “4 Queer Voices” at the William Way LGBT Community Center, on display until April 26th, 2019.
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Support for Artblog has been provided by The Philadelphia Cultural Fund.